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Showing posts with label Fiction writing. Show all posts
Showing posts with label Fiction writing. Show all posts

Saturday, 27 December 2014

The Writers’ Toolkit, by Penny Grubb and Danuta Reah, Reviewed.

Interested in the inner workings of commercial fiction? Then this book is for you. The authors, both good commercial writers with that extra talent that separates them from the rest of the field, have produced a book that gets straight to the heart of what makes fiction commercial but also eminently readable.

Their advice is illustrated with samples, given in a clear and easily followed form so that writers can apply their methods to their own writing. Split into seven sections, the book deals with everything from overall structure, through opening sequences and tension building and releasing scenes, to bringing the story to a satisfying conclusion. The path is easy to follow and the information given in easily digested bites. Plenty of room for manoeuvre is allowed: this is not a dictatorial piece, but a guide to best practice for the general writer of good commercial fiction.

For readers, it will give insight to the way in which novels are constructed and what goes on in the mind of the writer during the building of the story. For writers, it provides detailed and sensible guidance in the most effective way of constructing a story and delivering it to your readers.


A small but comprehensive and practical ‘how-to’ book that should be on the shelves of all serious writers who want their books read by more than the minority. I shall use it in my future writing and thoroughly recommend it.

Sunday, 21 December 2014

How to Market a Book, by Joanna Penn, Reviewed.

The third in a package of books on writing in the digital age, this one deals with the nuts and bolts of getting your books to market. That may sound daunting or technical or simply distasteful to many writers. It did to me. We are, after all, artists. We have souls and care about the words we share, the stories we tell, the characters we invent. Surely selling is a dirty world full of shysters, slimy creeps and people bent on separating the gullible from their money for personal gain, isn’t it? Well, it turns out that isn’t actually what it’s about.

The author, a writer of both nonfiction and fiction, explains in great detail, and to great effect, the reality behind the art of selling your books. You are a writer. Writing is communication and entertainment, as well as many other positive things. You have talent, you have imagination, you have knowledge. Are you writing to keep these things to yourself? I hope not. I certainly aren’t. We write to pass on our gifts, knowledge, imagination. But hiding your work in a cupboard or drawer is hardly going to get those words out there, is it?

In reality, marketing a book is passing information to people, readers, who are actively seeking your words. You are providing a service to the very people you wish to reach. They want to know about your books. They want to read your stories. They want to be able to find and buy your output. Are you going to prevent them by being all precious and mistakenly coy about the act of actually selling those works?

If you want to remain in obscurity, keep your efforts hidden from public gaze, hide away from the possibility of having readers actually read your books, then don’t read this book. It will educate and convert you. It will place you on the path to reaching readers. It may even make you see selling your wares as an honourable and desirable part of your craft that you could enjoy!

The book has multiple sections, all of them giving practical advice and some attempting to put right the ill-informed attitude that I and others may possess regarding the marketing of our books. I was one of those who considered himself an artist and unsuited to the world of sales. Mind you, I have a brief and troubled background in that world that undoubtedly tainted my opinion. But that was a different world, a commercially predatory place where the customer was seen as a target for the unscrupulous to cheat and legally rob. Marketing and selling your book does not have to be like that at all. In this field, potential buyers are actively seeking your books. And this book has left me feeling positive, enthusiastic and ‘clean’ about marketing and promoting my own work.


So, if you’re a writer just starting out, uncertainly stepping into the world of words, or a veteran with many titles under your belt, all unsold and under-promoted, this is definitely the book for you. Read it. Act on the advice. And sell your books to people who want to read them. Thoroughly recommended.

Tuesday, 16 December 2014

Ruled by Intellect or Emotion? Tips on Word Choice #15

Love Bliss
Love Bliss (Photo credit: Wikipedia)
Some words/phrases can induce fairly specific responses in readers. As writers, we all know this, but do we use the power of emotion in our work?

For these few weeks, I’m looking at something subjective: how to choose between emotional and intellectual words for effect. You won’t always agree with me, of course; you’re writers. But, hopefully, my suggestions will get the thought processes going.

In this series I’m looking at the difference between words that seem intellectual as opposed to those that evoke a more emotional response. How you use them is obviously up to you. The point is that the alternatives have the same, or very similar, meanings, but their effect upon the reader can be markedly different. I’ve made some suggestions here, but I’m sure you can think of others.

Intellectual: Contact You
Emotional: Write To You

‘We will contact you in writing to confirm the termination of your employment.’

‘I’ll write to you everyday, so you’ll know where I am and what I’m doing whilst we’re apart.’

Intellectual: Famine
Emotional: Hunger

The likelihood of devastating famine in much of Africa during the coming decades is increased by the effects of Global climate change.

‘I feel such hunger for you, for your body, for your touch, for your utter surrender to my desire.’

Intellectual: Ill
Emotional: Sick

‘The man is ill; that much is obvious. I expect we will have to terminate his employment, since we cannot afford to have idle hands on the payroll.’


‘I’m sick with longing for you. My every waking hour is haunted by my want of you.’

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Tuesday, 9 December 2014

Ruled by Intellect or Emotion? Tips on Word Choice #14

Distribution of Wealth in Europe in the Year 2000
Distribution of Wealth in Europe in the Year 2000 (Photo credit: Wikipedia)
Some words/phrases can induce fairly specific responses in readers. As writers, we all know this, but do we use the power of emotion in our work?

For these few weeks, I’m looking at something subjective: how to choose between emotional and intellectual words for effect. You won’t always agree with me, of course; you’re writers. But, hopefully, my suggestions will get the thought processes going.

In this series I’m looking at the difference between words that seem intellectual as opposed to those that evoke a more emotional response. How you use them is obviously up to you. The point is that the alternatives have the same, or very similar, meanings, but their effect upon the reader can be markedly different. I’ve made some suggestions here, but I’m sure you can think of others.

Intellectual: Construct
Emotional: Build

‘It is our intention to construct the largest and most all-encompassing complex for retail business that we are able to, without having to employ too much in political bribes.’

‘We’re going to build more and more houses on brown field sites, mostly as starter homes.’

Intellectual: Diminutive
Emotional: Small

‘I fear that Lucy is too diminutive to be taken seriously by those who really matter in terms of power.’

‘Lucy’s so small and charming, she’s bound to win their hearts.’

Intellectual: Perhaps
Emotional: Maybe

‘Decreasing the wealth gap is, perhaps, beneficial to society as a whole, but it would render the rich less powerful and must therefore be avoided.’


‘Maybe the best way to bring a bit more equality to society is to look at what would happen if certain jobs weren’t done.’

Wednesday, 3 December 2014

5 Star Review for Partings.

Partings is now available in print form. We’re still waiting for Amazon to connect the digital and print versions, but you can still buy it either from your local Amazon store by clicking here. Or direct from Fantastic BooksPublishing by clicking here.

And, after a long wait, I’ve finally got a review of the book. Here it is. For those who’ve read either of the books so far published, I’d really appreciate your review, regardless of what you have to say. All reviews help both the author and other readers. Thank you.

Love it, an enjoyable story with interesting characters., 29 Sep 2014
Verified Purchase(What is this?)
This review is from: Partings (A Seared Sky Book 2) (Kindle Edition)

The second installment of this fascinating series carries on where "Joinings" left off but introduces a lot of new characters for the second part of the journey. All the characters are interesting and are continuing to develop. Unlike many fantasy novels, where the focus is on the journey and the lore, "A Seared Sky" isn't afraid to let the character drive the story and undergo significant change along the way.

Highly recommended for adults everywhere, but don't leave it somewhere the kids can find it - unless you don't mind questions like "daddy, what does 'prodding a fern" mean? ;-)

Author's note on the above - 'fern' is a local euphemism for a part of the female anatomy; local to the characters in the series, that is.