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Tuesday 31 December 2013

Happy New Year 2014

Sunset or sunrise? You choose.
Another spell of 365 days has passed. The New Year promises much, is replete with potential. Will we harvest the fruits of our talent and labour? Or will we fritter away the next year, as we might have done the last? That's the beauty of a New Year: it gives us hope and choice. Whether we select 'same old, same old' or opt for 'everything changes' or some road between is entirely up to us.

I prefer the New Year to Christmas. Xmas is all about children (bless their little hearts!) and the commercialisation of ritual giving. But New Year marks a new opportunity, a point of change, a fulcrum for potential.

New Year Resolutions will proliferate; but not from me. I make only one resolution: to make no resolutions.

But I have intentions, dreams, plans, hopes. There will be more books from my pounded keyboard, posts on this blog, tweets via that truncated network, pins to the boards of interest, status updates on the book of my face, additions to the google plus, comments on the output of others. I will read more and record that activity on Goodreads, reviewing those volumes that please me. But, more than anything else, this new season of days will find me writing, writing writing.

I wish all of you all that you wish for yourselves. May 2014 be THE year for all of us!
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Fictional Worlds, by L.A. Alexander, Reviewed.

Subtitled, ‘Traditions in Narrative and the Age of Visual Culture’, this tome of nearly 400 pages of erudition is a considerable piece of work. The book is essentially about storytelling on the screen and is, in fact, part of a series under that title.

Academic, considered, analytical and full of wisdom, it is a book for those working in the film industry, for students of that medium, for critics and reviewers and, ultimately, for those who write screenplays. As a manual for study and an analytical tool for those involved in film, it is a wonderful book.

There are many illustrative case histories: unfortunately, I’ve seen vary few of the many popular films discussed, so this aspect was of less value to me. In any case, although I’ve dabbled in screenwriting and my fiction is visually based, I’m essentially a novelist. As such, I have different needs as a writer. That’s not to say that the book has nothing to offer me. The analysis of story elements and the explanation of story structure are valuable elements and I come away with a deeper understanding of the history and purpose behind story. Myth and legend form the basis of most of what we write today and the discussions of the various root tales are useful and inspiring.

My writing method is that of the pantster. I don’t plan or structure, except in the very loosest way possible. Generally, I start with a theme, develop a story beginning and ending, to which I add characters, and then allow these invented people to determine the route, the journey, of the novel. So, analysis and structural planning are of little help to me; in fact, they can be destructive of a process that relies hugely on instinct and the subconscious mingling of experience, knowledge and emotional elements. Sorry if that sounds pretentious, but it’s the nearest I can find to expressing what actually happens when I sit at the keyboard to create.

Planners and plotters, however, of which there are multitude in the writing world, will find this book invaluable. It guides and explains, suggests analogies, prompts with themes, and labels those elements of a story that such writers need to identify.


So, a book I’d definitely recommend to scholars, scriptwriters, film directors, those with an abiding interest in film, and to those writers who find their creative stimulation in plot.
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Monday 30 December 2013

End the Old Year with a Bang.

Just a very quick post today. A plea for your help, and a way for you to aid readers who either have difficulty with small print or who can’t read at all due to poor eyesight. My publisher, Fantastic Books Publishing, a small independent concern, is trying to raise cash using Kickstarter so that he can launch a project that will allow the professional recording of books as audiobooks. It’s a great idea, and one that will give pleasure to many, including, of course, those readers who enjoy hearing the words of books as they go about other tasks.

The target is almost achieved and now requires only a few more to pledge a small amount each to reach the total. So, I ask that you’ll do this and make the dream come true.

Simply click here for the link. It’s a simple process. There are even rewards for those who wish to take advantage of such offers. Please make a pledge and get this project up and running.

Saturday 21 December 2013

Twitter Tips for Author Tweeters.

I’ve been using Twitter, as a writer, for a few years now. Recently, I’ve been conducting some experiments and doing a spot of exploration. I thought I’d share my findings, for what they’re worth, with the writing community.

I don’t have a huge following: 8,537 followers, as I compose this post, with me following 8,534 and having made 21,299 tweets. But it’s a lot more than I started with at the beginning of the year: 5,110 followers, following 5,012, and 11,823 tweets. Much of that increase has taken place in the past couple of months, with the bulk of it occurring over the month of December. This is the result of the experiments.

I belong to a group on Facebook, called ASMSG (Authors Social MediaSupport Group), just one of a number of such groups. The basic premise is that we re-tweet and post each other’s links in the hope of increasing our exposure. The group has around 780 members at present and we’re all linked with each other. There’s a good deal of activity on Facebook as well as on Twitter.

One of the things I’ve started to do is increase my re-tweeting of other members’ tweets, and that has had an impact, increasing my following. However, I believe the major contributor to the increase has been my collection of twitter handles that I then tweet; promoting these re-tweeters in groups to my followers. By advertising the fact that a tweeter retweets regularly, you encourage others to follow that tweeter. So, what’s in it for me? Well, naturally, other tweeters see what I’m doing and want to get in on the act. They follow me, retweet my tweets and I then add them to my collection. I use a Word document along with the ‘find’ function to keep track of this activity. Since it takes me about an hour each day to do this, I won’t be able to continue it for long. But the experiment has been very instructive.

It’s clear that re-tweeting the tweets of others is an excellent way of spreading not only their messages but also my own name.

So: Tip 1:
If someone retweets something you’ve done, something that matters to you, have the good manners to follow them (if you don’t already) and to RT one of their tweets. You’ll build goodwill along with new followers. And thank them for the RT: your own tweet handle along with theirs will go out to the community and be seen again.

Secondly, I’ve taken to following all those who follow me, regardless of whether I’m fascinated by their activity. This may seem odd thing, but it’s connected me with others in whose tweets and activities I am interested. And it’s resulted in sales of my books. The spread is viral, you see. You’ll notice that my numbers of ‘followers’ and ‘following’ are quite close. This synchronicity seems to encourage people to follow: they see that they won’t be following without being followed back and that’s important to many tweeters.

Tip 2:
Follow back those who follow you.

Are you aware that a tweet that starts with a handle; @stuartaken, for example, will go only to your followers and those who follow the named person, and not to the whole community. By starting a tweet this way, you’re effectively reducing your reach. We’re writers: exposure is vital; the more people who see your name/message, the better. So, you need to start your tweets with something other than the @ symbol. Anything will do. You’re a writer: I’m sure you can come up with alternative wording to overcome this limitation.

Tip 3:
Never start a tweet with @ unless you specifically want it to be limited in its reach.

Many tweeters use automated direct messages. These are generally ignored by the bulk of tweeters. In fact, it’s not unusual for people to unfollow such tweeters, treating the DM as spam. So beware. If you must send a DM, and I’d advise against unless circumstances dictate it, make sure it’s personal, not general.

Tip 4:
Avoid automatic DMs.

Programs, such as justunfollow, allow you to keep track of your followers. There are companies and individuals out there who will follow you until you follow back and then they’ll unfollow you, safe in the knowledge that most people won’t notice this sneaky way of increasing their followers. Using something like justunfollow allows you to keep an eye on those who’ve ceased to follow you and this, in turn, helps keep your followers and those you’re following in some sort of balance. Try it. It’s free, and fairly quick and easy to use.

Tip 5:
Use a program to keep your followers in balance with those you’re following.

Hashtags, #, identify areas of mutual interest for tweeters. On your Twitter page you’ll see a heading,  #Discover. I bet most of you have never ventured into this land, however. Hashtags can be attached to any number of subjects. There’s one for Doncaster, one for Kindle, for Mandela, for SciFi, Fantasy, Horror, and, of course, WRITING. In fact, you name it and there’s probably a hashtag for it. So, what does this mean? It allows you to join a community with the same interests as you, it allows you to interact with them and encourages those who retweet to retweet your tweets to like-minded folk, thereby spreading your name and messages to those most likely to be interested in the topic.

Tip 6:
Use hashtags (the search facility will enable you to identify the exact format you need to use for each specific tag).

One last thing that I suspect a lot of you don’t know (it’s amazing how reluctant users can be to explore websites) is that the headings on the ‘Home’ page have functions. If you click on the tab that says ‘Followers’ you’ll see it lists your followers in date order, with the most recent at the top of that list. You can quickly follow back all new followers from this one spot. Easy.

Tip 7:
Explore and use the various tools Twitter supplies for use. They make life easier and save time.

Some general advice, based on my own experience:
If you’re using Twitter as writer, you want the maximum audience; don’t make your tweets private or use programs like Truetwit to verify twitters. Whilst such barriers may be useful for private users, they get in the way of easy interaction with potentially useful contacts for those of us trying to spread the word. Keep an eye on spammers: the more followers you have, the more likely you are to be targeted by spammers. (I get about 1 or 2 per week). They attach a URL to your handle and you’ll discover you’re being associated with some unsavoury or money-grabbing organisation against your intentions. It’s not a real problem. Just click on the handle of the spammer and then use the drop-down menu to block them. The tweet will die immediately and the spammer will be brought to the notice of Twitter, who will stop them in their tracks, more or less at once.

A few final words of advice, if you can bear them: beware; Twitter can be addictive. Use it sparingly but effectively. And, if you like the idea of being able to schedule tweets for future dates, try out such programs as Tweetdeck or Hootsuite. And make sure your social networks and blog/website are all linked: it’ll save you a great deal of time in the long run.


Oh, and by all means, please feel free to follow me at @stuartaken. I’ll follow you back as soon as I can, I promise!

Thursday 12 December 2013

Want 10% Off the Price of a Kindle?

I have a voucher to give one person 10% off the price of a Kindle. No strings, no need for you to pass any sort of test. It's first come, first served. So, go to the top of the page and click on 'Contact me' and let me have your email address via that link. I need this to forward you the email that will give you the discount. But be quick, as this is a one off.

Just to let you know, this has now gone to Larsulu, from Italy. Better luck next time.

A Short Story

Something from my past is now on a great website, where you'll find hundreds of great short stories; 
Look for it here: 

Monday 9 December 2013

Bluff, by Susan Yanguas, Reviewed.

Subtitled, a ‘Po-po Poker Mystery’, Bluff is a crime novel, set in USA, with a new detective and a sassy female ‘victim’ paired for the romance element. It is one of a series, hence the subtitle.

I know almost nothing about poker, but that didn’t impair my understanding, or my enjoyment of the book. There is humour, tension, a moral message and a credible outcome in this woman in jeopardy tale. The female character, Abigail, is strong and intelligent as well as ‘model girl’ attractive, which helps the plot and the reader’s enjoyment. The male lead is a detective of Italian descent, who I’ll call ‘Sal’, since great play is made of the fact that his colleagues find his full name more or less unpronounceable.

A good detective read, this book is a step above many others in the genre, simply by the inclusion of corruption amongst the wealthy business class and, in particular, a definite criticism of the American legal system’s vulnerability to distortion through the power of money.


I enjoyed the read. The story held my attention and the characters were well drawn. I recommend it to all who enjoy a good, honest crime tale.


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