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Showing posts with label New Year. Show all posts
Showing posts with label New Year. Show all posts

Tuesday, 31 December 2013

Happy New Year 2014

Sunset or sunrise? You choose.
Another spell of 365 days has passed. The New Year promises much, is replete with potential. Will we harvest the fruits of our talent and labour? Or will we fritter away the next year, as we might have done the last? That's the beauty of a New Year: it gives us hope and choice. Whether we select 'same old, same old' or opt for 'everything changes' or some road between is entirely up to us.

I prefer the New Year to Christmas. Xmas is all about children (bless their little hearts!) and the commercialisation of ritual giving. But New Year marks a new opportunity, a point of change, a fulcrum for potential.

New Year Resolutions will proliferate; but not from me. I make only one resolution: to make no resolutions.

But I have intentions, dreams, plans, hopes. There will be more books from my pounded keyboard, posts on this blog, tweets via that truncated network, pins to the boards of interest, status updates on the book of my face, additions to the google plus, comments on the output of others. I will read more and record that activity on Goodreads, reviewing those volumes that please me. But, more than anything else, this new season of days will find me writing, writing writing.

I wish all of you all that you wish for yourselves. May 2014 be THE year for all of us!
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Monday, 11 November 2013

This NaNoWriMo Lark.

We’re a little over a third of the way through the challenge to complete 50,000 words in the month of November. Those of us who’ve grasped the nettle, begun to climb the greasy pole, entered the race, and any one of a number of clichés you care to attach to the venture, are well into the project.

Me, I joined in order to concentrate my mind on a specific task. I’m currently writing volume 3 of a fantasy trilogy. Volume 1 is due to be published by Fantastic Books Publishing before the end of the year. Look out for news of that event here and on the social networks I dabble in. I started off the NaNoWriMo challenge with a MS at 111,079 words and I expect it to be around 210,000 when complete. Though, that is a moveable feast, of course. Who knows how long a book will be whilst actually writing it?

Does it work? Well, here’s the evidence. In the 17 days prior to my summer break, I averaged 1,566 words a day, which, I know, isn’t actually a bad result. When I returned from holiday, I re-read the words already strung together on the page and joined NaNoWriMo to see if I could up the ante. In the 11 days so far covered, I’ve averaged 3,835 words per day, something over double the earlier rate. I think that speaks for itself. But it only worked because I set myself a very specific target. I was, and remain, determined to complete the first draft before the end of November. That way, I can take December off as a rest period from the fantasy and start on revision and editing in the New Year with some distance between creation and the more detailed work of honing those words.

Now, this is obviously working for me; concentrating the mind and disciplining me to work consistently because I’ve publicly declared my intention. That doesn’t mean it would work as well for every writer, of course. For some, the very idea would be anathema. For others, the thought of having to write a minimum number of words each day would actually paralyse their creative spirit. And for yet others, existing commitments would render the challenge insurmountable.

But, for those who have the ability, need and freedom to accept the challenge, I suggest you have a go. This year’s too late, of course. But perhaps consider it for next year. It’s a superb way to defeat that curse of all writers; the temptation of procrastination. When that target beckons and you know all your peers are going to be able to measure your output at the end of each day, it has a remarkable effect on your self-discipline.


I’d be fascinated to learn the experience of others who’ve tried this challenge. Place your comments below and let’s see what secrets emerge from the revelations, eh?
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Tuesday, 15 January 2013

So, How's It Going For You So Far?


Some time ago, I posted a piece on time and the way it can be misused without us really noticing. At the end of last year, I posted a piece on my activities during 2012, detailing the results of my work as a writer.
For this year, I've decided to post at the end of each week on my activities. This is as much for me as it is for visitors to the blog. For me, it will act as a motivator and keep me on track, I hope. For visitors, it will illustrate the value, or otherwise, of those activities we engage in as writers.

I was unprepared for the first week, so I've combined the first 2 weeks here. In any case, that first week of the new year is always a little different, with the aftermath of the holiday season inevitably encroaching on normality.

Let me explain the pie chart:
'Writing' includes the creation of stories, blog posts and reviews.
'Editing' includes the polishing of all written work to make it suitable for reading.
'Research' includes discovery of info for story content, market research, contest info and blog post research.
'Reading' includes books and writing magazines.
'Emails' includes emails, Twitter, Pinterest and Facebook activity.
'Admin' includes story submission, blog posting, marketing, organisation and general admin tasks.

And, for this post, I also had to spend some time both devising the timesheet I used for recording my time usage and learning how to render the results into the pie chart that illustrates it.

I'm hoping that this visual presentation will make the reality of my time usage much clearer. Certainly, I'm staggered by how much of my time has been spent on the various 'Emails' activities. I accept that much of that time has been used in reading webpages that some emails have introduced, and that, as a result, I've learned things about the current state of the book world. But a good deal has also been spent on less fruitful pursuits, such as Pinterest. One thing is clear already; if I'm to spend more time actually writing, I need to reduce the time I'm currently spending in what are largely irrelevant pursuits.

I set myself a couple of targets at the start of the year. I intend to submit at least 1 story to a magazine and 1 entry to a writing contest per week. I'm pleased to report that I've achieved both. 2 contest entries and 2 stories sent off to magazines.

Under the heading of 'Writing', I've created one new short story of 4,000 words and written 3 book reviews. Not enough, but a reasonable start.

Under 'Editing', I've edited the 4 stories I've submitted and 3 chapters of my fantasy trilogy. Again, not enough, but better than it might have been.

It's my intention to return to the weekly posts on writing, giving views, opinions and advice where I'm able and, hopefully offering useful, or at least, contentious information to stimulate thought and debate on writing topics. It's possible I may indulge in the occasional opinion piece on other matters from time to time, when an issue particularly fires my passion.

But, more than anything else, this year I intend to spend as much time as possible in creating new writing and in preparing the fantasy trilogy for publication. The first and second books are written and the first edited. The second is currently undergoing the penultimate edit and, when that's complete, I shall start writing the third book. I shall also, at that point, publish book one. Watch this space for announcements.

One further post that might be of interest dealt with procrastination.

So, that's how it's going so far for me. How's it going for you in this new year? Made and kept your resolutions? Let me know. It's easy to add a comment at the foot of the post, you know.

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Monday, 14 January 2013

A Few Words of Explanation for Regulars

No, the blog isn't going to become a place only for reviews. I've been taking my time, at the beginning of a new year, to review, regroup, and formulate a plan. A cunning plan! The reality is that life sometimes interrupts the writer's world and must be accommodated. It's my intention, tomorrow, to give a more detailed description of the first 2 weeks of 2013 as experienced from this seat. So, hold on for a little longer, please. I will let you know what the future holds for the blog and how I've been preparing for what I expect to be a significant year.
Thank you.
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Monday, 31 December 2012

Facts and Figures for my 2012

English: A pie chart created in Excel 2007 sho...
English: A pie chart created in Excel 2007 showing the content of tweets on Twitter, based on the data gathered by Pear Analytics in 2009. (Photo credit: Wikipedia)

First, I’d like to pass on a heartfelt THANK YOU to all those readers who have reviewed my writing. Almost without exception these reviews, the majority from people I don’t know, have been positive. That, of course, is very encouraging. It strikes me that the best action I can take to truly thank those who have taken the trouble to share their thoughts on my work, especially those who’ve enjoyed it, is to write more. And that’s what I intend for the coming year. So, my thanks, again, for all those who’ve read and reviewed my work, and my assurance that there’ll be more to come and that it will be the best I can produce.

Second, a brief, but fairly detailed, account of my year. Why? Well, in April 2013 I retire from my part-time day job and will be able to concentrate full time on writing. This means an entirely different attitude to what I do and how I do it. At the behest of the so-called experts in the matter of selling books, I’ve spent a major portion of 2012 building an ‘author platform’ online. This is something, we’re told, that’s essential for the serious writer. I have to tell you that my experience places a large question mark over that assertion.
At the foot of this post, not very far from here, I’ll insert my facts and figures as they stand at the point of writing this: i.e. 20:30 BST, New Year’s Eve.

The simple fact is, in spite of my efforts to build this apparently essential tool to marketing, my sales of books have been anything but startling. There’s huge competition out there, with thousands of new books published every month. Many of these are very poor. But a reasonable number are good and there are a few that are undeniably outstanding. However, quality appears to be only a small factor in producing sales. I’ve read extracts from best-selling books and found myself appalled by poor grammar, syntax and characterisation. Often, however, these best-sellers have, at core, a good story. What is depressing is that, with a little more care and professionalism, many of these sub-standard books could be really great works; but the book-buying public appear willing to settle for ‘that’ll do’ from these good story-tellers.

So, it looks as though, in order to increase my readership, I need to combine good story-telling (for my readers), with good quality writing (for my personal satisfaction). Oh, hang on, that’s what I thought I was doing! Perhaps, then, I simply need to actually write and publish more. And that’s what I intend for the coming year.

The following list of figures will be a source of motivation for the coming year and of comparison at the same time next year, to see whether I’ve managed to get more work out there. It should also enable me to judge whether such an increase in ‘exposure’ actually bears more fruit than the marketing activity I’ve performed this year.

2012
Published work:
Sensuous Touches, an anthology of erotic tales (8).
Heir to Death’s Folly, a short story in the gothic horror tradition.
Rebirth, my contribution to the science fiction anthology published by Fantastic Books Publishing, Fusion.

Writing Contests:
4 entries, one of which was short-listed.

Blog:
1062 posts in total since the blog began.
447 followers
85,511 page views
18,882 visitors who identified their location.

Facebook:
Author page – 379 ‘Likes’
Personal profile – 1599 friends

882 books listed as read (the real number is probably around 3,500 but I haven’t listed them all yet), 52 of them in 2012.
130 reviews written (52 in 2012)
2018 friends.
136 titles in my ‘to read’ list.
49 ratings and 21 reviews of my books on Goodreads.
Goodreads reading challenge - 52 books in the year - Read - 52 books in the year!

2274 connections

662 followers
4774 pins on 32 boards

336 in my circles
In 183 circles.

5,110 followers
Following 5,012
11,823 tweets

So, there it is. If you'd like to connect with me on any of these sites, the links are there for you. Lets' see what 2013 brings, eh?
And, for now, let me wish you all a New Year that brings you all the good things you wish for you and yours.

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A Present for the New Year.

Last year, at around this time, I published a short story as an ebook via Smashwords. I wanted to put it on Amazon Kindle as well, but they make it nigh on impossible to do so as a free book. It was, and remains, a free book for those who enjoy my writing.
It struck me that there are still many people around who don't have ereaders, so I'm posting the story here for those who'd like to read it. It's a bit of silliness wrapped in the celebrations that end one year and begin the next, a light-hearted romance with mildly erotic undertones, written tongue-in-cheek in the hope of entertaining.
Enjoy. (Oh, and if you feel so inclined, I'd love a review, placed anywhere you feel appropriate. Thanks)
And let me take this opportunity to wish all who visit these pages the very best of life for the coming twelve months that we have labelled 2013. Have a great New Year.


But, Baby, It's Cold Outside

For all that it's black as the proverbial out there, I'm required to venture forth if I'm to retain credibility in the current lover's eyes. First, there's the unexplained and ill-defined noise, which I ignore. Then, coincidentally, the light goes out, provoking a performance worthy of the heroine in those supposedly scary black and white B movies from the forties.
The failure of the light turns out to be nothing sinister.
'Just a blown bulb.'
'Replace it, then.'
'Call me an old romantic, but wouldn't firelight serve us better?'
The response is unprintable and indicates an unhealthy reliance on artificial light. So, once I've restored adequate illumination, I'm ordered outside to see what made the noise.
'Me?'
'It's your house.'
'As the woman, shouldn't I stay in the warmth and safety of my home whilst you, Macho Man, go fight the marauders?'
'Along with the rest of your gender, you claim equality. You have to deal with the downside as well as the up.'
'So far, I've experienced little up, except the obvious, and I'm pretty sure that's been as much benefit to you as it has to me.'
He raises his eyebrows but not my hopes and I know I'm onto a loser; it doesn't help that my statement wasn't the truth, either. I wonder, in passing, why him? And then recall his superb taste in clothes and cars, his delicious and sensual touch, and the generous cut of his wallet, which has so far afforded me access to three first nights, a private viewing and the best table at Egon's. I can stand a little misplaced equal opportunity for the luxury and privilege that are his accessories. Wimpishness isn't the cause of his reluctance; he sincerely believes equality of the sexes means I should do whatever he'd be prepared to do on my behalf. Daft, I know; but he is a man, after all.
Being rural, I ignore strange noises in the night, examining their cause in full light of day, if at all. He's a townie who puts up with the shouts of drunks, the screams of distressed women, the whistling of fools and the constant clatter of traffic past his trendy pied à terre but is made suspicious by the noise of something falling over outside.
'It's just that old gate I stacked against the side of the house. The wind's blown it over.'
'Didn't sound like a gate falling over to me.'
'It's pitch bloody black out there. How am I supposed to see anything?'
'Use a torch.'
'Batteries are flat.'
'Well, we'll open the curtains and turn on all the lights, assuming they work.'
'They do. Mostly.'
Raised eyebrows indicate his lack of faith but he accepts. 'Good.'
'And your monster of the night is just going to hang about out there, awaiting discovery, having received the signal of our intent?'
'Our?'
'We're conspiring jointly in the process, even if I'm the active member and you're merely the source of ideas.'
'Mmm.'
I rise, turn on the spot. 'Look at me.'
'Yes, very lovely.'
'You really expect me to venture forth into the wild night with…?'
'Put something on and stop making excuses.'
I don seductive red satin recently abandoned, rather than the woollen protection I know is appropriate. It'll be cold out there. New Year always is. But I won't be gone long and I intend to continue where we left off after the interruption of the unidentified noise. I suggest he turns on the downstairs lights, front and back, whilst I plunge into the frozen void.
'You're not going out there like that on your own, are you?'
'Are you coming with me?'
'Are you mad?'
I try a simple facial message but it doesn't get through. Insufficient intimate togetherness yet for such subtlety to connect, I suppose. 'Exactly how am I supposed to go outside without you, yet not be alone?'
A pause for consideration. 'Be quick, then. I'll worry about you.'
'Not enough to accept my plausible explanation.'
He avoids the shrug that his body and my expectations demand and makes do with a non-committal grunt.
'Not enough to be the gentleman?'
'Equality of opportunity. This is yours.'
'But I don't crave such opportunity. In any case, I'm not worried by the noise.'
Another grunt; distinctly negative and indicative that this is the end of the discussion, as far as he's concerned. That much of his subtlety I have learned.
Outside, it seems even darker than the proverbial and I wait for light to issue through the curtains he's supposed to be opening. I wait. And slowly freeze. The darkness remains; unilluminated, unmoving and unmoved by my presence. I understand I am irrelevant to the void and begin to wonder if I represent a similar rank of importance to him.
At last, a faint glow signals the start of his simple task, but at the front of the house. I left by the back door and he saw me. Is this contrary action merely pique at my rational response to his irrational fear? Or is it simple idiocy? Hardly the latter. I don't get involved physically or emotionally with imbeciles. Not deliberately, anyway. But I wonder why I've become so attached to a man who's beginning to seem remarkably like a prat. Except, he has his good points. The fact that he's unjustly wonderful at that most subtle of interpersonal activities adds to the attraction of his wealth, devastating good looks and multiple connections. I ponder, for a fraction of a second, whether I might be a tad guilty of superficiality here but I expunge that unworthy thought and recall the extraordinary evenings, nights, afternoons and mornings I've experienced since we met.
The light at the back escapes at last through the raised kitchen blind and the drawn dining room curtains. I examine the area of garden I can see and note that the soft cold stuff assaulting me is snow, augmenting the frost already formed. Nothing moves but flakes of lightness and the tips of visible vegetation, shaking in the gale. It occurs I've denied any idea of what I'm supposed to be seeking and a question might afford me re-entry before I freeze further. I open the back door and call into warmth I'm tempted to re-enter.
'What sort of noise?'
He is by the fire; I can tell by the distance his voice has to travel. 'I told you.'
I have no recollection of either being told or, if I have been told, of the message. 'No, sorry, that doesn't help.'
'Oh! You're useless. There's something out there. Just see what it is.'
'Well, there's a large area of garden, mostly immobile and recumbent under a falling blanket of snow, except where it's sufficiently fragile to be disturbed by the howling gale, of course. There's a fence, beyond which lie several thousand acres of fields, forests and hills, dissected by a river, currently out of my field of vision ...'
As I list the inventory, he emerges into the kitchen.
'Idiot! I mean something moving, something that shouldn't be there!'
'Ah. An alien? Ghost? Creature of the night, specified or un? Perhaps a monster from nightmare? A serial killer out for a midnight stroll? A lynch mob intent on suspending a victim, if not its credibility?'
'God, you're obtuse. And I'm freezing here with that door open in my robe...'
'I suggest you shut the door in your robe and give me a…'
'Look, it was a sharp slithering sort of soft thudding scraping noise.' And he shuts the door. Not the one in his towelling robe, but the more substantial wooden portal to the house, before I can ask from what direction this comprehensive oxymoron of a sound emerged.
Disconsolate at being left out in the cold, wearing a garment designed to lure the eyes of men to my assets rather than protect them from frost, and unsocked wellies that barely insulate my feet from frozen ground, I begin a rapid exploration. Alcohol has lost supremacy by now and the threat of frostbite dictates I make a simple circuit to rule out any obvious cause before I return, bold cold and brave, to conquer his residual concerns with passion, before the night freezes my ardour: I can rest assured that his will not diminish in the waiting.
The corner of the house allows the gale to swirl increasing flakes into a small tornado that lifts my scandalous hem and spatters snow against the skin beneath to melt and slowly slide in wetness down my legs. But there's nothing in the intervening darkness, between the dim light at the back and the dimmer light at the front, to suggest a monster might be lurking at that side of the house. I pass, unmolested, beside the solid brick barrier to the front garden; neat, hedged and deserted.
Beyond the hawthorn and beech runs the narrow lane that leads eventually to the hamlet where my nearest neighbours celebrate the new arrival. And I recall we haven't made the usual ritual this time: I have no coal or logs, no money, salt or bread to enter with and bring the luck we all desire. Though, on being questioned, I'll deny any interest in or subjection to such craven superstition as 'first-footing'. In any case, he's supposed to perform that particular ritual, as the man.
The front garden is also devoid of alien beasts, hobgoblins and mass murderers. I lightly skip along the beds of resting flowers, past the blank front door and across the white blanket that is now the drive. His red Ferrari, encrusted with a soft layer of white icing, like a little boy's birthday cake, is exhibited at his insistence for the hungry eyes of the envious before the garage door, behind which skulks my wheeled utilitarian box. Fooled by softness, I forget the constant puddle and slip on the ice it has now become. The robe helpfully lifts so that my naked buttocks slide along the frozen surface until the stone kerb brings me to a halt with only a spine-jarring jolt and superficial injury to my fast freezing passionate parts. I curse the night, rub the offended rump and other bits and struggle upright, glad no one saw my pratfall and exposure.
The last side of the house, also in darkness, reveals no sign of monsters but there is evidence of some disturbance in the drifting snow. Tracks of recent footfalls meander, and the broken gate, which had been leaning against the house, has fallen onto the path. I right it. But will he believe I was correct in my original supposition when I give him this solution to his mystery?
I turn the corner and tumble headlong over a dark huddled shadow that mumbles. I land against the dustbin, upside-down with my head buried in a small drift, and moon into the moonless night. An unknown hand molests my unprotected flesh and then hoists me back to my feet and suddenly I'm at the back door.
He is there, in gratitude no longer worried by the door in his robe, which he's removed to reward my bravery with his undiminished and evident passion. The robe, that is, not the door. Behind me looms the huddled shadow that caused me to befriend the dustbin.
He cries out in alarm. I turn, ready to attack and defend.
''Appy New Year, m' dear. Shorry 'bout the clision back there. Dropped me lump o' coal an' I was tryin' to fine it. Firsht footin' an' all that.'
It is the redoubtable Miss Fobiter; she of the three facial hirsute warts and fixed leering grin. I grin back, hopefully without the leer, and wrap my robe more tightly.
By the time I've turned, he's vanished into concealing darkness within and I'm left stumbling my thanks to my nearest neighbour and inviting her in for customary seasonal cheer. The picture of departing gratitude, flouncing as though no longer quite so pleased with my solution to his fears, suggests I'll see New Year's Day arrive without his close company.
'Thought you'd be on your own, like me, don't y'know?'
I wonder whose car she thinks she passed on my drive and then recall her reputation as a woman resistant to normal consumer pressures. She probably didn't even notice it, or worse, thinks it's mine.
My neighbour, whose first name she reserves as a mystery, insists on two full choruses of Auld Langsyne, which I'm powerless to resist. To my surprise, he returns to join in this ritual, his robe replaced. She greets him with a cursory assessment that suggests she finds him, because he's a man, wanting. But she accepts the second glass of cheer he politely offers. Two hours of pointless chatter pass as the fire slowly settles in the grate and he grows glassy eyed. At last, she decides it's time she visited other neighbours. I hold him close about the waist as she departs into the snow and we close the door on night.
With her departure, my role in his earlier exposure is recalled and expressed in word and deed, the repelling hand shoving me unceremoniously back into my armchair.
'If you think you're having your wicked way with me after letting that dirty old hag see me naked, you've another think coming.'
'I don't think she was interested in you; naked or otherwise.'
'You should've warned me. I don't like strange women seeing me undressed.'
I'm being unfair and mighty inaccurate when I suspect, aloud, he's anxious at being found wanting. He sulks at the unguarded, unfounded suggestion the alcohol encourages me to make, and I watch him climb the stairs.
He lingers at the turn on the landing taking all promise of passion with him. 'A real woman wouldn't take no for an answer.'
Unsure whether this is an invitation or simply another assault, a reminder of my imperfections, I return to the fire, unwilling to be seen as coercive and determined to play the part of the injured party to the bitter end. I place more logs onto the embers, refill my glass with the last of the Chivas Regal I bought him for Christmas, and stare into the flames, imaging what might've been and recalling New Years that started more auspiciously.
Lurking at the back of my mind is the suspicion that he'll forgive me, once he finds the bed a little wide and cold without my company. Just to encourage that idea and persuade him of my value, I sneak outside and bang the metal dustbin lid with the coal shovel. I'm back in front of the fire, waiting on the hearthrug, by the time he reaches the security and warmth of me and the blazing logs.
I invite him to open the door in my robe. He does so willingly but, as I surrender to his delicious demands, I hear the gate fall over again and await his protest. Oddly, he seems preoccupied and doesn't even mention the noise, this time. Aahhh.

###


I hope this little piece of seasonal fun has amused you. Please consider it a gift in appreciation of your time and support.

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Monday, 19 November 2012

My Next Big Thing








I’ve been invited by Penny Grubb  (http://pennygrubb.blogspot.co.uk/2012/11/my-next-big-thing.html) to take part in the Next Big Thing Blog Tour. My five nominees were supposed to be listed at the end, but, for various reasons, they were unable to commit, so I guess this is the end of this particular leg of the tour!

In common with most published writers, I write to be read. But I also break a great publishing rule, imposed by agents and traditional publishers for reasons of their own: I don’t write in only one genre. In fact, I rarely consider genre before I set out to write a story. This makes my work difficult to categorise, of course. But, as I give a description of every book, I see no difficulty with this approach.

Take a look at the titles under the tab ‘My Books’ and you’ll see what I mean. There’s a romantic thriller, a sci-fi novelette, an anthology of tender love stories, a collection of dark speculative fiction, a cheeky story for the New Year, a selection of stories from my writing group, an erotic anthology and a collection of prize-winning sci-fi and fantasy stories to which I was invited to contribute.

So, it’s not immediately obvious what my next big thing might be. But, I am currently working on the second volume of an epic fantasy trilogy intended for an adult readership. Volume one is ready for publication and volume two is well along the editing path. Volume three is around as an outline combined with a huge number of ideas floating around the caverns of my mind. I intend to publish this story after I have introduced it by publishing a number of short novelettes starring various minor characters from the main story. So, that is likely to be the next big thing for me. Capricious? I’m an artist, in the sense that I create from imagination, and it’s difficult to pin me down. One thing I can promise my readers, however, is that the epic fantasy will be well on the way to completion before I publish volume one. I think there is nothing more irritating for readers than to become involved in a story that runs over several books only to find that the writer has either lost interest or failed to engage the level of discipline needed to complete the work.

What is the working title of your book?

The series will go under a title which, for the moment, remains secret. However, the first volume is ‘Joinings’, the second ‘Partings’ and the third is provisionally titled ‘Endings’.

Where did the idea come from for the book?

This series has been around in my head for so long that I can no longer recall its germination. I can, however, let you know that it deals with themes of injustice, betrayal, religious hypocrisy and the strength or genuine love.

What genre does your book fall under?

It’s an epic fantasy, but excluding elves, dwarves and dragons (thought the latter mythical creatures do feature in the folklore).

How long did it take you to write the first draft of your manuscript?

About seventy years! Actually, for reasons I won’t bore you with, it’s been an on and off project that started over 30 years ago with the development of the imagined world and the drawing of the map. The actual writing was interrupted by domestic events and life that got in the way but began around seven years ago. In that time, I’ve written two volumes of around 220,000 words each. I’ve edited one and am currently half way through editing the second.

What other books would you compare this story to within your genre?

I’m not into comparisons for my work, as I don’t consciously feed off the work of others. The book neither refers to nor borrows from any other. It’s the product of my imagination, influenced by the thousands of books I’ve read, the many films and plays I’ve watched, the multitude of life experiences I’ve passed through. I understand that literature is necessarily incestuous but I’d be hard put to identify any parents or siblings for this work. I’ll let readers decide.

Who or What inspired you to write this book?

My work is almost always the result of free imagination. I’m able to sit at the keyboard and produce a short story without any preparation. Obviously, for a series of this complexity and scope, I had to develop a history, customs, religions, landscapes, social patterns, laws, traditions, myths and all those other things that bring an imagined work to life. The themes, however, as explained above, permeate much of my writing; in particular the issue of injustice and the all-pervasive idea of hypocrisy within organised religion. It was undoubtedly thinking on these matters that brought the pot to the boil until the ideas melted together and became the story that now feeds the books.

What else about your book might pique the reader's interest?

My stories are character driven. I aim to make the people who inhabit my fiction into characters they will know or, at least, come to know. Some are very bad, others are very good and, in between lie those people we all meet and live with, escape from, love, hate, like, despise and worship.

Which five writers will take over from you next week and tell us about their next big thing:-

Here was supposed to be the list for links to the blogs of 5 other writers taking part in the tour. Unfortunately, they were unable to commit for a multitude of reasons, most of which I fully understand, as a busy writer myself.

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