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Showing posts with label Blogger. Show all posts
Showing posts with label Blogger. Show all posts

Thursday, 2 October 2014

#BookADayUK; A Reader Event For October. Day 2

Today's 'event' is to name your favourite fictional dog. I can't recall a fictional dog in any recent
reading, to be honest. So, for this particular 'event' I'll have to nominate my own fictional pooch: Shaulah, who appears in my fantasy trilogy, A Seared Sky, in all 3 books, Joinings, Parting, and  the yet to be published, Convergence. She's a working dog, acting as Okkyntalah's aid as he goes about hunting for food.

If you'd like to get involved, please visit Books Are My Bag by clicking this link.

And don't forget to use the hashtag, #bookadayuk when you tweet.

Readers and writers unite to save the high street bookshop!

Tuesday, 19 August 2014

Ruled by Intellect or Emotion? #Tips on Word Choice #2

English: a fan made portret
English: a fan made portret (Photo credit: Wikipedia)
Certain words/phrases can induce fairly specific responses in readers. As writers, we all know this, but do we use the power of emotion in our work?

I’m setting out here to suggest a few alternatives. In this series I’ll look at the difference between those words that seem intellectual as opposed to those that invoke a more emotional response. How you use them is obviously up to you. The point is that the alternatives have the same, or very similar, meanings, but their effect upon the reader can be markedly different. I’ve made some suggestions here, but I’m sure you can think of others.

Intellectual: Accolade  – suggestive of a certificate, honour, etc.
Emotional: Applause – more suggestive of active praise and enthusiasm.

Sir Henry accepted the accolade for his report with quiet enthusiasm and went back to work. (cold, intellectual)

The stand-up comedian embraced the applause like a long lost friend, working the crowd to garner more and more. (active, warm,)

Intellectual: Damage, harm                 
Emotional: Hurt

The damage done to the mechanism was so severe it was beyond repair. (impersonal, factual)

Sandie closed her eyes in pain, the hurt she felt from his betrayal so profound she couldn’t bear to look at him. (sorrowful, moving)

Intellectual: Manufacture                   
Emotional: Make

They set out to manufacture the most profitable goods they could foist on the gullible and ill-educated consumers. (cold, calculated)


I want to make something that has real value to society, something that will do some real good. (inspiring, heartfelt)

Wednesday, 4 June 2014

Insights Into the Writer's Mind, by Michael DeAngelo

Today, I have the privilege of being interviewed by that fascinating fantasy writer, Michael DeAngelo, on his great blog, Tellest.

He's asked me some searching questions and come up with a piece that collects together a number of facts and insights into the way I think, plan and work. We talk about the structure of the story, my motivations and interests, and how I go about tackling the craft of storytelling. Really worth a visit, which you can make by clicking this link.
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Friday, 25 April 2014

Guest Posting on Writers Village - Killing Characters.

John Yeoman's Logo - I love it!
Just a quickie to let you know I'm guesting on that great site, Writers' Village. A piece about killing off
your characters. Have a gander and join in the chat. We all need to do our players to death sometimes. How's it go for you?

Click this link to read the piece.

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Wednesday, 23 April 2014

Writers’ Earnings

English: J. K. Rowling, after receiving an hon...
English: J. K. Rowling, after receiving an honorary degree from The University of Aberdeen (Photo credit: Wikipedia)
I was recently tempted to make a comment on a discussion forum relating to the earnings of writers and it prompted me to write this post. 

There’s a great deal of inflated expectation from new writers, or those who wish to become professional writers. Many members of the public have grossly exaggerated ideas of author’s earnings, largely driven by headlines concerning such popular figures as JK Rowling and others. If you’re a new writer and you hope to make a living at the craft, please think very carefully about what you’re going to do. It’s true that some writers make a fortune, but the vast majority earn insufficient to make a living.

One way of ensuring a living wage is to become an employee working for a recognised organisation, of course. Journalism is considered a great background for many forms of writing, for example. Look into real job prospects, explore the reality of wages. But, please, don’t give up the day job and set about penning your wonder novel without understand the facts about writers’ earnings. So that you can do that more fully, I’ve attached a few links to recent features below.


Please read these BEFORE you go and tell your boss what he can do with his ******* job, won’t you?


There are more, if you do the usual Google search (or any other useful search engine) but this should give you enough to make you consider your options. Good luck if you decide to go ahead.

Of course, if you're a real writer, you'll write anyway: it's a compulsion for those of us with the disease and we're unable to ignore it, regardless of wealth or poverty. We do it because it's who we are.
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Tuesday, 1 April 2014

The Month of March; a Busy Time!

Those of you who follow my blog will be well aware that I’ve been rather active during March. So I’ll make this brief, if you don’t mind.

I’ve written 25 posts for this blog and some others as a guest, read 3 books and reviewed 2 of them. I’ve done a deep edit on 25 chapters, averaging 4,000 words apiece, of the third book of my epic fantasy. I’ve read two writing mags and updated the writing contests page twice. And I’ve worked with my editor in the preparation and participation in the launch of my latest book. That was Joinings: A Seared Sky, for those who haven’t been paying attention!

So, no contests entered, and no stories written or submitted to journals. But a new book on the stocks, which must count for something, surely? I committed to publishing four new books this year. One done, another three to go.

The chart, explained:
Writing - initial creation of stories, blog posts, reviews and longer works.
Editing - polishing of all written work to make it suitable for readers.
Research - discovery of info for story content, market research, contests and blog posts.
Reading - books and writing magazines.
Networking - emails, Twitter, Pinterest, Facebook, LinkedIn, Google+, and comments.
Admin - story submission, blog posting, marketing, organisation, tax, and general admin tasks.
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Tuesday, 11 February 2014

Guest Blogging Today

Just to let you know I've a guest post on the great blog run by Joanne Troppello - Here's the link
If you visit, you may find out things you never knew!
Guest posting is time-consuming but a great way to spread the word. Enjoy.

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Thursday, 19 September 2013

Reviewing the Reviewers?

What are reviews to you, as a writer, as a reader? Do they influence what you write, what you read?
As a writer, in particular, do some remarks from reviews of your work stay with you? Do they haunt or taunt, or do they inspire and motivate you?

I recently came across a feature on a site I use daily, but visit only rarely. (A contradiction? Not really, the site, Booktrakr, provides me with daily stats on book sales, but I visit it occasionally to update my info.) I hadn’t been aware that they not only collect sales data but also reproduce all the reviews that appear on the sites where they gather their information. As a result, I was able to see reviews of my work that had previously passed me by. By the way, if you’re a published author, you might like to try the site. It’s still in beta, and there are still a few odd glitches, but they’re improving their data all the time. It was through this website that I discovered one of my books had suddenly jumped up the lists to appear in a couple of top 100 lists.

Back to the matter in hand. I read these reviews and realised that readers approach books from very personal angles. One, in particular, stuck out. The book had received a large number of 5 star reviews, with most of the readers completely ‘getting’ the story, the themes and the approach. One, however, awarded a 2 star review but added the codicil that she’d enjoyed all aspects of the story but one. There’s a graphic scene in the novel, describing a savage rape. It’s there for a very specific purpose and is deliberately as far away from erotic as it can be. All other reviewers understood the purpose of the scene and that it wasn’t intended to be erotic. But this reviewer criticised the inclusion, saying that rape is not erotic. Well, yes. Obviously. So, this one reader had missed that point entirely.

As a writer, it would be very easy to get hung up on such a point: had I written it in a way that was ambiguous? Well, no. The other reviews showed it had been understood for what it was. But it is too easy for us to take such things personally. All readers come to books with their own set of experiences, their past, their nurturing and their natures. We all know that it’s impossible, and indeed undesirable, to please all of the people all of the time, of course. But I’ve talked with writers who would take such criticism to heart. In fact, some very promising writers, sensitive and gentle souls with something important to say and the talent to say it well, have actually given up writing as a result of some critical point that they’ve taken personally.

What I’m trying to stress here is that a review is a comment on the work, not on the author. Reviewers doesn’t know the author, they only know the work, and they see that through their own particular filters. It’s inevitable that a writer will attract adverse comment. There is no way to avoid it. Some would say that a piece of work that fails to attract dissent is not doing its job properly. And, of course, we all understand that there are trolls out there whose only purpose in life is to vent their frustration and their inability to communicate effectively by making personal insults. Such irrational and cheap remarks can only be ignored. But the comments from a thoughtful reviewer have the potential to alter a writer’s view of his work.

I’d never expect a reviewer to alter their opinion and I certainly wouldn’t get involved in a slanging match with anyone who had something adverse to say about my work. It’s utterly non-productive and makes the writer look both foolish and desperate. So, I’d advise writers simply to accept that there will be some negative opinions of your work. Some will be due to mistaken impressions, some will be formed from points of view that oppose your own, some will reflect the experiences of the reviewer and some will be true, of course. Provided the balance is in favour, and positive, there’s little point in allowing it to influence you. Obviously, if the majority opinion is negative in a specific way, it might be worth examining the piece anew. But, in general, take what you can from every point of view and then get on with your writing, in your voice. That’s why you write, isn’t it? To express your opinion, to show the world as it is through your eyes?

So, don’t blame the reviewers. Accept what they say, or make sure you never read your reviews if you’re unable to take them for what they are: the view of that piece of work by that reviewer; no more, no less.


And, whilst I’m on this topic, let me use the opportunity to thank all those who have reviewed my books. I truly appreciate your comments and the time and effort you make to let others know your thoughts.

Oh, and if you're interested, many of the reviews of my work are listed with the books under the tab above, labelled 'Published Work'.
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