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Showing posts with label Myths and Folktales. Show all posts
Showing posts with label Myths and Folktales. Show all posts

Monday, 10 December 2012

The Concept of the Goddess, by Sandra Billington & Miranda Green, Reviewed.


The blurb on the back of this book suggests it’s ‘a scholarly yet highly readable study of the place of the goddess in past and present belief systems and mythologies’. As a convinced agnostic and casual student of history and myth, I thought it would be a useful book to augment my knowledge of these subjects. I was, unfortunately, disappointed.

The book is mainly an annotated list of references to other works with the occasional piece of narrative inserted to reduce the boredom: a trick that doesn’t work, by the way. Scholarly, it no doubt is. But highly readable it most certainly ain’t! It came across to me as a series of pieces by writers desperate to illustrate how well-read they are. It, perhaps, doesn’t help that there are various references and asides in untranslated Latin and some Scandinavian language I’m unable to identify, since I speak none of that collection of tongues.

Perhaps the book is intended as an introductory text for university students studying mythology; I could envisage it having a place in such course material. But, for the general reader, it appears dense, uninformative in those areas of most interest, self-congratulatory, obtuse and often plain boring.

I found myself skipping the frequent, not to say, innumerable, references in a vain attempt to find some meat. I rarely discovered anything more than the leavings of a dog-chavelled bone. In fact, I learned almost nothing, discovered very little that I didn’t already know from former reading around the subject.

I suspect you’ll deduce from the foregoing that I was unimpressed. You will be correct, Watson. I cannot, in all honesty, recommend the book.

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Thursday, 21 June 2012

Arthur: Roman Britain’s Last Champion, by Beram Saklatvala, Reviewed


Arthur, the last ‘king’ of the Britons, has been analysed, scrutinised, mocked and praised through the ages. For a man without any positive identity or even, perhaps, existence, this is quite an achievement.

Those who recognise the ancient British hero as either the mythical demi-god or the possibly real last leader to stand against the invading English, will be familiar with the works of the past. Mallory, Geoffrey of Monmouth and William of Malmsbury will all be names that strike chords of recognition, with Mallory’s Morte D’Arthur probably the most well-known source of speculation and romance regarding this character from our ancient past.

In his studious and careful re-examination of known facts, scholarly conjecture and outright fable, Saklatvala has brought together these know sources and added many less familiar works to the canon for an in-depth examination of the possible reality. My only criticism of his narrative stems from his clear bias toward the positive role of Christianity in Arthur’s background; I suspect that this leaning toward that religion has distorted some of his judgement. However, I applaud the scholarship displayed along the way.

The book, necessarily, contains a huge number of ‘if’s; such is the nature of conjecture. And, if nothing else, we who are not such scholars learn a good deal about how the mind of the archaeologist functions. In the absence of concrete evidence, speculation, informed by knowledge of times, customs, actual historical events and other reliable sources, steps in to form a picture of possibilities. Whether the reader believes the resultant conclusions is dependent on that reader’s prior knowledge of the subject, his own prejudices, and the ability of the narrator to convince him of his theories.

I came to this topic with the average English schoolboy’s knowledge of Arthur, informed by scant history from school lessons, the imaginative Disney The Sword in the Stone movie, Mary Stewart’s quintet of Arthurian legends, the musical Camelot and, of course, the inimical Monty Python and the Holy Grail. So, I imagine I was fairly typical of the majority of people in this respect.

Monty Python and the Holy Grail
Monty Python and the Holy Grail (Photo credit: Wikipedia)
What I found in these pages surprised and informed me. I came across many names I had forgotten I knew; Vortigern, Ambrosius, Hengist, Horsa, Bede and others. But I was introduced to entirely new characters both historical and legendary; Germanus, Maximus, Gratian, Valentinian, Nennius, Claudian and Gildas amongst many.

Saklatvala has studied innumerable texts and put together those facts that appear to support each other from disparate sources to form the kernel of a possible truth about Arthur. The label, ‘King’, is clearly a latter day title for a man who was probably known in his lifetime as the ‘Duke of Britain’, a military leader devoted to the task of keeping alive the traditions and values of Rome at a time when that empire was swapping military power, which had declined to the point of non-existence, for religious power in the role of Father of Christianity in the person of the Pope.

The reason for much that is valued in current society has been made clearer to me by reading this book and I suggest that anyone with an interest in English history would be well served by reading it. It was first published in 1967 and new evidence has come to light since then, some no doubt inspired by the book itself. Nevertheless, the nub of the narrative remains, I suspect, as credible now as it was when the book was written. Scholars with specialist knowledge will no doubt already be aware of the theories and conclusions made by this author. But those who have only a passing familiarity with the legend that is King Arthur will undoubtedly discover much food for thought within these careful and comprehensive pages. Give it a try; you might be surprised by what it tells you.

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Monday, 1 August 2011

Stuart's Daily Word Spot: Fabulinus


Fabulinus: this is another of my occasional gods from the various religions of the world; listed in the hope that those who don’t know might become acquainted with both the variety and the history of religious myth.

Fabulinus, as you’ve no doubt guessed, was a Roman god. He was considered responsible for the first words of a child and offerings were made to him on the occasion that a child first spoke. Although a figure from the popular religion of ancient Rome, he failed to appear in literary Roman mythology, but was one of the ‘little gods’, dear to the Roman home. These small gods were placed on the sacred list of the Indigitamenta, and invoked to help on special occasions.

Pic: Barley mixed with wheat.

Saturday, 9 July 2011

Stuart's Daily Word Spot: In medias res


In medias res: Meaning ‘into the middle of things’, this Latin phrase denotes the literary narrative technique where the story begins at the mid-point or even the end, instead of the beginning. Setting, character, and conflict are generally established using flashback and, sometimes, expository dialogue to explain and describe what has happened prior to the opening events. Its main advantage is that the story opens with dramatic action instead of beginning with an explanation and description of the characters and situation.
An example is Homer's Odyssey, where we first hear about Odysseus’ journey as he’s kept captive on Calypso's island. Later, we discover that most of Odysseus’ journey takes place before that point in the narrative.
The technique is used fairly widely in modern literature as a device to hook the attention of readers who might otherwise be impatient enough to discard a good story before it has really begun.

9 July 1911: Mervyn Peake, author of Gormenghast, born.

Picture: Nettle Dale, near Huggate, East Yorkshire.

Friday, 6 May 2011

Stuart's Daily Word Spot: Vac

The Creation of the Cosmic Ocean and the Eleme...Image via Wikipedia
Vac: another of the occasional gods. Vac is a Hindu goddess of the spoken word. She is also known as the ‘queen of the gods’ and is considered the personification of speech. Credited with creating the four Vedas, which are the basis of Hindu mythology, she also personifies truth, which, when you consider she is a weaver of myth, says something about the relationship between some gods and the truth, doesn’t it?

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