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Showing posts with label Religion and Spirituality. Show all posts
Showing posts with label Religion and Spirituality. Show all posts

Thursday, 14 February 2013

#One Billion Rising

English: A campaign against female genital mut...
English: A campaign against female genital mutilation – a road sign near , Uganda. עברית: .מאבק נגד מילת נשים - שלט הסברה בצד הכביש, ליד קפצ'ורווה, אוגנדה (Photo credit: Wikipedia)

I usually post about writing on Thursdays but today’s a day of action on a topic close to my heart, so please forgive my passion ruling my sense of duty on this occasion. I suspect many of you won’t have heard about a growing movement that aims to act in defence of women subject to violence. It takes many forms: the fight against it, that is. There are many, many places on the web where you can participate without a huge amount of effort.

I’ve never been a campaigner in physical protest, getting out on the street, partaking in revolution or rebellion in a physical way: such protest is too easily high-jacked by those with vested interests in promoting their own violent and often extreme political views. Such protest can frequently do more harm than good. I’m a writer. My skills lie in my ability to communicate through the written word: it’s therefore more appropriate for me to work as a spreader of the word, a reporter on the topic, an informer to the unaware.

So, this piece and my other internet activities constitute my activity, my contribution to the debate. I hope to raise awareness of the issue and perhaps persuade more people, especially men, to become engaged in the cause against violence to women. At the end of this short piece I’ll provide links to sites of interest where you can learn more, participate, and spread the word, as you see fit.

Violence against women, against the female of our species of all ages, is widespread, destructive, unjust and sometimes simply casual. There are societies, political movements, religions, and criminal groups that treat women as commodities; goods and chattels to be used, abused, traded and disposed of without any regard to their humanity.

In certain parts of the world, girl babies are routinely killed because the male line is the one that inherits, and dowries are required to be paid on the marriage of a daughter. There are groups where the insanely cruel practice of female genital mutilation, euphemistically labelled ‘female circumcision’, is routinely carried out on young women approaching puberty. The rationale for this horrific abuse, often controlled by the mothers of the victims, is that a woman incapable of experiencing the real pleasures of sex is unlikely to stray from the marital bed.

Within the more extreme versions of Islam, there are groups that continue to stone to death a raped woman, accusing her of infidelity.

The Catholic church routinely turns a blind eye to the rape and assault of both male and female children at the hands of its priests, whilst condemning any girl subsequently found to be pregnant to suffer the torture of giving birth the bastard so conceived.

Women are beaten daily by tribal husbands in Africa, Asia and the Middle East simply because they fail to satisfy every demand of these men.

In the USA, a land that prides itself on freedom and modernity, the right wing element of the Christian church is more concerned about the rights of an unformed foetus than about those of its raped mother. I could go on, but the list is disappointingly long.

The vast majority of violence against women is perpetrated by men; though some is committed by other women, especially mothers. The greatest single cause of this violence stems from ignorance. Education, of both men and women, is a key route to the solution of the problem. As a consequence of ignorance, fear plays a huge role also: we all know that bullies are, almost without exception, cowards. A man who fears ridicule because a woman rejects him, who fears his sexual prowess will be called into doubt if ‘his’ woman appears to be enamoured of another man, who fears that a woman is actually more intelligent, rational or simply ‘right’, will lash out if he has no social example to show him that this is not acceptable or correct. And it is education that will most surely deal with such ignorance.

Many will complain that changes in custom and tradition are needed to end some of these practices. The argument that cultural difference is an insurmountable difficulty will hold sway with many others. But these attitudes hide a reluctance to face the realities. At base, we’re all aware that the ‘golden rule’ is the only real arbiter of true justice in this world and that all deviations are the result of domination by one group of bullies over another. But we have moved on from the days when might was right. That the world is not uniformly developing a rational and reasonable consciousness does not excuse the toleration of practices that are, by any logical measure, brutal and unjust. The fact that an action stems from custom or tradition does not automatically confer legitimacy upon it. I challenge those who defend brutality on the grounds of culture to apply the golden rule to these actions and examine them in that light. The advantage of using this as a yardstick is that it (Do unto others as you would have them do to you) lies outside the rules, laws and traditions of any religion. The simple idea expressed by this rule is based on mutual respect and informed self-interest. We would do well to make it a universal law in all our dealings with each other and to outlaw all instances of ‘law’ that fail to conform with it.

Finally, much violence against women is allowed simply because various cultures, religious sects and traditions have debased women. This is almost always the result of ignorance of the biological facts. Consider the old habit of rulers disposing of wives who failed to give them a male heir: we now know that the sex of a child is dependent on the input from the male. Blaming a woman is ignorant and stupid.

The idea of male supremacy stems largely from the brute force that most men are able to apply against women. The simple biological differences between the genders makes men, in general terms, stronger than women. Of course there are exceptions, but the general rule applies and is responsible for the irrational attitude to supremacy that continues in many cultures. We no longer live in a world where brute force is the prime factor in a group’s survival. Other factors, many of them the domain of the female of the species, now apply to the continued health of any society. Education will make this clear. Education will restore the proper respect and sense of worth for women. But, and I understand there’ll be much resistance to this idea, education must be free from the interference of any religion for it to have the necessary effect. It’s clear that much of the religious world was born out of traditional ignorance and to allow it to have undue bearing on the education of our children is to perpetuate the problems we need to solve. If parents want their children to be raised in any given faith, let them do it outside of general institutions of education.

So, to how you can work for the good of women in the world in general. The following links lead to areas you can further develop. Thank you for reading this lengthy piece. I welcome comment, as usual, of course. And if any readers have additional sources of information, please add these to your comments.


I could go on, but I don’t want to overload you. I’d rather you got involved. Thank you for your patience.

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Saturday, 2 February 2013

Crone’s Book of Charms and Spells, by Valerie Worth, Reviewed.


Not a book for general reading, of course. I selected this book as a research source; to discover certain aspects of magic for a fantasy I’m currently writing. I try to approach such things with a mind as open as possible, in case prejudice should blind me to things I might otherwise miss.

I think what struck me most about the book, apart from the arcane style of the prose, was the combination of detailed instruction with a type of carelessness that I found endearing. If devotees are unable to duplicate exactly the requirements for a given spell or charm, the author allows them some leeway. But, at the same time, there’s an insistence on using the exact ingredients, the appropriate time of day, the right season, even the correct manner of dress, that was amusing.

Of course, the very idea that a mix of herbs, or inanimate objects inscribed with runes, epithets or Latin sayings, can possess any magical powers is anathema to the logical and rational mind. To indulge in the practices described in the book, with any personal hope of success, requires the reader to suspend disbelief and adopt an emotional response based in superstition and folklore. There’s much here that echoes the rites and rituals of many religions, of course. And this is the reason that witchcraft was so brutally suppressed by the early Christian church in particular. In some senses it was seen as a mockery of the rituals of the bread and wine, even though these symbols were, in fact, actually borrowed from witchcraft, of course. The same can be said of the various religious holiday celebrations: Paganism usurped by the newer prejudices and ignorance of the church.
"Magic Circle" by John William Water...
"Magic Circle" by John William Waterhouse, 1886 (Photo credit: Wikipedia)

But I digress. Was the book of any use in my research? Certainly. In fact, I’ll have it close by whilst I write, so that I can consult the text and bend the ideas to fit with my own imagined world. There’s no doubt that human beings have a deep need of ceremony, rite and ritual. We have an almost instinctive need to mark certain phases in life, certain events. The failure of modern religious practice to convince populations of the validity of their creeds has opened a vacuum in society. The once accepted celebrations surrounding birth, marriage and death have ceased to have the deep meaning they used to contain; ignorance and faith have been replaced by knowledge, questions, and doubt, so that we now have relatively meaningless social ceremonies in place of sacred rites that spoke to the emotions of the celebrants.

Again, I digress, but it’s a pointer to the content and style of the book that it drives me along these particular routes. I was ‘charmed’ by the language and the attention to detail. The underlying suggestive tone that the author actually might believe in the efficacy of the preparations, concoctions, ceremonies and rites she describes amused me without causing me concern. The whole approach is, in general, harmless enough. And, in those cases where a spell or charm is designed to do harm, the author either advises against its use or, at least, cautions the potential user to give the matter serious consideration of the possible outcome. Rather like warning the hired assassin that his activities may result in the death of the intended victim, I thought. Except, of course, that there’s little doubt about the outcome of the killer’s bullet, whereas serious doubt exists about the result of the spell or charm.

So, if you’re seeking an informed source of magical incantation to use in your fiction, relating to witchcraft and it’s more material concerns, this may well be the book for you. If you’re already an adherent of the ways of witchcraft, I’ve no doubt either caused you distress (not intentionally: I’m simply applying a rational analysis) or risked the prospect of a painful curse. But, since I’ve spent my life deliberately walking under ladders and courting the disapproval of the superstitious, I shan’t lose any sleep over that possibility. This is a book you can either skim for its esoteric erudition or grasp to your breast with conviction, depending on your own particular predilections.  For me, it’s admirably served its purpose of educating me in the ways in which those who espouse magic, as if it were reality, look at the world, and that insight will inform my writing of the current fantasy. So it has been a success. I leave it to you to decide whether or not it will be of use to you.

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Sunday, 1 July 2012

The Artist’s Way, by Julia Cameron, Reviewed


Subtitled A Course in Discovering and Recovering Your Creative Self and A Spiritual Path to Higher Creativity, this is not merely a book, but an instruction manual about how to become the artist you truly are.

Okay, so I may already have alienated the pragmatists and those for whom the idea of artistic creativity is anathema. But stay with me. You, too, will benefit.

The book is the culmination of a number of years of work Julia has undertaken first to release her own creativity and then that of friends, and, ultimately, paying students. She is, of course, a well-known film director, amongst other talents. She lives in a world populated by people who use their creative talent to earn their living and to produce many of those things we take for granted in our daily lives. Creativity is not the sole preserve of the isolated artist living in a dream, after all. It is an element in the everyday experience of most of us, if we’re willing to discover it. So, there’s something here for everyone. And I do mean everyone, regardless of the type of life and the nature of the work undertaken.

The book guides the reader through a series of exercises and explorations of self over a period that is suggested to be 12 weeks. I took a little longer, as I had 2 weeks of holiday already planned and those weeks interrupted the flow. The exercises, or tasks as she calls them, are essential to the course.

Before you make a decision to experience this book - it is more an experience than a reading exercise - I should warn you that you’ll need to approach it with commitment. A partial, casual approach will not work. You must be willing to immerse yourself in all that it entails, if you’re to gain from it the lasting and increasing benefits it promises.

As you proceed, you’ll find all sorts of excuses not to do certain things, all manner of reasons why you, in particular, shouldn’t bother with some aspects. You’re too experienced, you’re too creative already, you’re simply too busy, you’re above such considerations, you don’t have that sort of problem, etc, etc. But allowing yourself to fail, permitting yourself to face those fears you have buried, will, if my experience is any guide, free you from self-destructive influences you’re unaware you have acquired.

I learned a good deal about myself during the course of the weeks. Not all of it was good. But most of what I learned was positive in its influence on my development. There were painful recollections, shameful admissions, abortive attempts at justification and some unexpected unpleasant revelations. But these are all part of the healing process that permits the inner artist to develop and flourish in the materialistic age we live in. To compensate for the unpleasant, there were many unexpected plusses along the way. I discovered really good things about myself, came to understand why I have held certain beliefs, why I have been unable to take full advantage of my gifts and talents, why I have rejected certain helping hands, why I have wasted so much time and effort; even, perhaps, why I became ill for so many years.

Sound a little over the top?

That’s what I thought when I started. But I grow daily more certain about what I’ve learned during these few, important, weeks of my life. I’ve discovered that I have true gifts, real talents, a fantastic imagination, a unique way of seeing and being. Sometimes the journey has been frightening, sometimes it’s been tedious, but often it’s been exhilarating, exciting, vital, and full of fun.

I never considered myself a ‘blocked’ artist. I seemed to be moving along with my creative life quite nicely, thank you. But the honesty this course forces upon its students woke me to the real reality (yes, I know, a tautology, but a deliberate one). We spend so much of our lives under the cloud of self-deception that escape is not only considered difficult, for many it is never considered at all, since these individuals have no consciousness of their self-imposed imprisonment.

I think it is clear that I would recommend this book to everybody.

There is a ‘but’; there is always a ‘but’.

One aspect of the narrative and underlying philosophy of the book threatened, from the start, to undermine the effectiveness of the course for me. I am a committed and self-defined, one might almost say passionate, agnostic. I’ll explain what I mean by that, since it’s important to your understanding of my position and argument. I believe that if there is a God, such a force, being, presence - call it what you will - is so far above our understanding as to be incomprehensible. I believe any attempt to define a God must, by definition, be an insult to such a concept and result in a counterfeit rather than the real thing. Since I understand the concept to be ineffable, I am left with the only logical alternative; i.e. I remain open to the possibility of a God but can make no description of such a power and, by logical extension, cannot accept any of the orthodox deities currently worshipped by the many religions that exist. These are, patently, constructs of man in a quest to answer the unanswerable questions and, no doubt, serve a useful, if often divisive, purpose in providing a sort of comfort for those who prefer not to think about such issues for themselves.

So, when Julia Cameron talks about accepting that there is an external creative being, that she calls God (using the ‘Good Orderly Direction’ tag to reduce the objections of the sceptics) I find myself resistant. Initially, this very insertion of the idea of faith into the course formed a barrier for me. But I persevered, putting that aspect on the back burner until I could examine it and find a replacement philosophy. And I’m glad I did that. Persevered, that is. Had I allowed my objection to stop me completing the course, I would have missed out on a very positive experience and failed to arrive at the new place I now find myself, creatively speaking.

As to what alternative philosophy I discovered along the way to replace the God aspect: this isn’t the place to detail it. Suffice to say that I found such a concept and am happy to employ that in place of the God facet.

So, again, would I recommend this book? Only to everybody on the planet. Go out and buy, borrow, or beg the volume. Make a commitment to do the tasks and exercises. Make a commitment to complete the course, however long it takes. If you follow it with the required open mind and the necessary effort you will come out on the other side a more creative, balanced and happier person. 

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Friday, 18 May 2012

The Absolute at Large, by Karel Capek, Reviewed.

Photography of the Czech author Karel Čapek.
Photography of the Czech author Karel Čapek. (Photo credit: Wikipedia)

Karel Capek is, of course, the author credited with the invention of the term 'robot', but this story isn't concerned with artificial intelligence in any way. He was a philosopher. The book first appeared in Britain, in translation by Thomas Mark, in 1927. The style and language reflect this period and the version I read had been edited by Damon Knight, the anthology editor, to remove certain chapters he described as 'nearly half the book - (chapters) that go nowhere and contribute nothing to the story.'
This is a story told for a purpose. The theme of man's mistaking religion for respect for God is transparent and boldly exposed throughout. The author was clearly troubled by this artificial confining of a force he considered too complex and ineffable to be so defined. It's an element of my own beliefs on the subject so, naturally, I was in sympathy as soon as this theme became apparent.
The story concerns the activities of a businessman, Bondy, who encapsulates all that is abhorrent in those who consider profit the only worthwhile pursuit, and his one-time friend, Marek, an engineer and inventor who is sensitive to the terrifying device he's created. The Karburator, an imaginary nuclear device capable of destroying matter and converting it to pure energy, is initially seen by Bondy as a way of making vast profits. In spite of Marek's demonstration and warning of its underlying spiritual capacity, Bondy is so taken with the opportunity to make millions that he manufactures these devices in large numbers, causing a crisis in the economic structure that leads to war, famine, death and disaster.
I will give no further description of the plot, but the ending is less inevitable than might be supposed, although Capek's attempt at a warning for mankind is achieved at the expense of what might be considered the natural conclusion to the tale. This author intervention is acceptable, however, in that it allows the central message to be sounded loud and clear. It would take a fairly dense reader not to understand the meaning behind this story.
This is not the version I read, which was from an anthology,
but an image taken from Amazon, where it can be bought.
Can the book be read on the surface level, as a simple tale of greed overcoming judgement? I suppose it can, and probably will be by those without any real knowledge or interest in the philosophical questions posed. I was unable and unwilling to read it at that level and the story was therefore more accessible to me than it might be for the more casual reader. Don't misunderstand me, here. I'm not suggesting any sort of superior understanding on my part, merely trying to point out that the book will be a different experience for those who read it without reference to the deep philosophical issues it raises.
Had I approached this as a simple story, I doubt I would have put up with the long passages of authorial comment. But these are fairly typical of the age in which the book was written, and we tend to forgive them in the classics of that era.
The characters are surprisingly well drawn and even minor roles are played out with conviction so that the reader is able to identify and empathise with certain people in the book. Bondy, in spite of his irredeemable materialism and inability to separate truth from his superficial, but commonly held, belief in a superior power, is nevertheless a real character and not the cypher he might so easily have become in the hands of a lesser author.
There is much humour in the story and a great deal of it is told tongue-in-cheek. I suspect that some of that humour is lost in translation, but enough remains to make the read enjoyable.
I recommend this book to serious readers but think those who prefer simple tales simply told would be best advised to give it a miss.

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Monday, 27 February 2012

The Analects, Confucius, Reviewed


Disappointing. That's a bald statement and perhaps not the most expected, considering the reputation of this Chinese man of…wisdom? I didn't find that, to be honest. From several hundred short passages of supposed erudition I listed ten I thought worthy of spreading to the wider world.

All the Confucianists will, of course be screaming abuse and possibly foaming at the mouth, because Confucius, rather like other famed wise men, has taken a role close to that of a god for many.

I found him conservative, unimaginative, intolerant and a man who seemed to express a singular self-preservationist philosophy, no doubt intended to keep him alive in what was a very violent society. I gleaned this, by the way, from this book, not from a reading of history.

It's clear that his insistence on the 'Way' is a plea to men (he has no time for women, who were clearly no more than playthings and servants in his time) to be of good character. By which he appears to mean, obey those set above you socially and politically. That a man so revered could be such a supporter of the tyranny of his time and yet accrue disciples merely serves to underline my own impression that there are those in society who'll accept leadership and direction regardless of its merit or otherwise. Faith, in general, is an illustration of this.

It's likely that, in common with Buddha, Jesus and Mohammed, his actual words have been usurped and deliberately distorted to suit the ends of those who wished to make capital from his aura of celebrity. I found little to admire in the words I was offered here. Much, rather like the Qur'an, is banal, repetitive and uninspiring. There is a deal of meaningless, to the modern western mind, ceremonial and social reportage that would require a deep knowledge of Chinese history to appreciate. I felt disinclined to spend the time and effort necessary to extract any worthwhile meaning from these passages, since the rest of the supposed words of wisdom were, in fact, anything but.

So, it was, for me, a disappointing read. I can't recommend it. There are, however, a round ten short sayings that carry some resonance in the modern world and I'll happily spread those, in the hope that the reputation of the originator will, at least, lend some authority to these aphorisms for those who might otherwise discount them out of hand.

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Sunday, 11 December 2011

Stuart's Daily Word Spot: Hachiman

A scroll depicting kami Hachiman dressed as a ...
Image via Wikipedia

Hachiman: another in my occasional, and probably self-indulgent, series designed to show the religious that there's more than one god worshipped in this inexplicable world of ours. All these deities exist in the minds of those who hold them holy, but none of them is real or any more special than the others.

Hachiman is the Japanese god of archery and war, combining elements of both Shinto and Buddhism. He's defined as the god of warriors, safeguarding and protecting them. Also divine protector of Japan and the Japanese, his name means God of Eight Banners; a reference to the eight heavenly banners signalling the birth of the divine Emperor Ojin. The dove is his symbolic animal and messenger.
Hachiman has long been worshiped by peasants, as the god of agriculture, and by fishermen hoping he'd fill their nets with fish. In the Shinto religion, legend identifies him as the Emperor Ojin, the son of Empress Consort Jingu, C3-4 AD.

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Thursday, 8 December 2011

Stuart's Daily Word Spot: Eager/indifferent?

English: Pope Pius IX funeral.
Image via Wikipedia

Eager/indifferent: antonyms

Eager: adjective - full of or demonstrating keen desire or appetite; impatiently longing.

Indifferent:  adjective - without inclination or feeling for or against someone or something; unconcerned, unmoved, uninterested.

'James was indifferent to Jennifer when she wore her spectacles but, when she removed them he was eager for her attention, thereby demonstrating the superficial nature of most young men.'

'Jennifer was so eager for attention that she ditched common sense, modesty and self-esteem, along with most of her cover in order to attract James. But, when he finally showed an interest in her and stroked a clammy hand over her skin, she grew indifferent and, making an inaudible excuse, hurried out of his sight.'

8th December 1792 - Henry Laurens  became the first person to be legally cremated in the USA.
8th December 1854 - Pope Pius IX proclaimed the Immaculate Conception, making Mary free of Original Sin. A generous and timely gesture on behalf of this male dominated club, which followed years of disapprobation of the innocent mother of their spiritual leader with a new determination to make her into a virginal saint. Always the extremes: this poor woman who, if there is any historical element to the myths, was clearly no more than the lover of the man she expected to marry but was subject to painful death under the religious law of the land at the time. Wouldn't you conceive a cover story under such circumstances?

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Saturday, 3 December 2011

Stuart's Daily Word Spot: Cacoch

Edmond Halley
Image via Wikipedia

Cacoch: Another of my occasional gods of the world, ancient and modern.
This one, from the Mayan stable, is a creator god, who apparently brought forth the water lily, which, in turn, was the life form from which all other Mayan deities sprang. It seems a little odd that, as the initiator of the other deities, he is also placed in the rather lowly role of the messenger of another creator god, Hachacyum.  But I guess this inconsistency is simply in line with most religious myth and legend, in that there is little of logic of reason involved.

3rd December 1621 - Galileo invented the telescope; good man. A great help in dispelling many of the then current myths about the Earth and its place in the universe.
3rd December 1678 - Edmund Halley, the astronomer, received an MA from Queen's College, Oxford.

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Thursday, 1 December 2011

A Well-Loved Poem Revisited.


I know this is a well-known piece, but it's always worth revisiting, don't you think?

Go placidly amid the noise and haste,
and remember what peace there may be in silence.

As far as possible without surrender
be on good terms with all persons.
Speak your truth quietly and clearly;
and listen to others,
even the dull and the ignorant;
they too have their story.
Avoid loud and aggressive persons,
they are vexations to the spirit.

If you compare yourself with others,
you may become vain or bitter;
for always there will be greater and lesser persons than yourself.

Enjoy your achievements as well as your plans.
Keep interested in your own career, however humble;
it is a real possession in the changing fortunes of time.
Exercise caution in your business affairs;
for the world is full of trickery.
But let this not blind you to what virtue there is;
many persons strive for high ideals;
and everywhere life is full of heroism.

Be yourself.
Especially, do not feign affection.
Neither be cynical about love;
for in the face of all aridity and disenchantment
it is as perennial as the grass.

Take kindly the counsel of the years,
gracefully surrendering the things of youth.
Nurture strength of spirit to shield you in sudden misfortune.
But do not distress yourself with dark imaginings.
Many fears are born of fatigue and loneliness.

Beyond a wholesome discipline,
be gentle with yourself.
You are a child of the universe,
no less than the trees and the stars;
you have a right to be here.
And whether or not it is clear to you,
no doubt the universe is unfolding as it should.

Therefore be at peace with God,
whatever you conceive Him to be,
and whatever your labors and aspirations,
in the noisy confusion of life keep peace with your soul.

With all its sham, drudgery, and broken dreams,
it is still a beautiful world.
Be cheerful.
Strive to be happy.

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Tuesday, 15 November 2011

Stuart's Daily Word Spot: Obàtálá

Yoruba bronze head from the city of Ife, 12 ce...Image via Wikipedia
Obàtálá: Another in my occasional introductions to various gods worshipped the world over.
According to the Yoruba peopleObàtálá is the creator of human bodies, which are then brought to life by the breath of Olorun.
Obàtálá owns all ori or heads. Any orisha (a spirit or deity that reflects one of the manifestations of God) in the Yoruba religious system can claim an individual, but until the person is initiated into the priesthood of that orisha, Obàtálá continues to own that head. In this religious system, the soul is believed to reside in the head.
It's an interesting point that variations of this African religion now exist in many parts of the globe and it's estimated there may be as many as 100 million adherents to the various cults and sects involved. But I'm willing to bet that most people reading this have never heard of the god or his religion. It's just another element in my search for the reasons why religion has such a hold over many people. If an individual knows only about the god they were brought up to believe in, how can they be sure that their god is the 'one', when they remain ignorant of all the others that exist with equal potency for those worshippers? Just a thought.

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Sunday, 30 October 2011

Stuart's Daily Word Spot: Zealous


Zealous: adjective - full of zeal; actively promoting a person or cause; marked by zeal.

'Jason's zealous defence of his sect's dogma had always been a bone of contention with his girlfriend, who believed in tolerance in all matters spiritual.'

'Your devotion and zealous guardianship of my daughter has not escaped my attention, Boris, and you will be well rewarded when the time comes.'

Pic: A vintage car travels the road just outside Huggate, East Yorkshire.

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Thursday, 29 September 2011

Author Interview with Jeff Horton.


Hello Jeff, please tell us about you, as a writer.

Well, I started writing several years ago, when I was at the point in my life that I wanted to reinvent myself. I started putting one word in front of enough until a novel appeared.
I enjoy writing a variety of fiction, ranging from pre and post-apocalyptic stories, to children's stories and cyber-warfare. The Great Collapse-Survivors of the Pulse, which came out in 2010, was the first in the Survivors of the Pulse series, a story about the collapse of civilization when electricity is lost across the planet, permanently. The series concludes in The Dark Age-Survivors of the Pulse, which is set five-hundred years in the future, when men once more depend on swords, bows, and arrows to survive. My last novel, The Last Prophet, is a fictional story based on the book of Revelation in the Bible, and is written in the first person from the perspective of the prophet.
 
Your latest books are The Dark Age and The Last Prophet; perhaps you’d you give us some insight into it in a few sentences?

The Dark Age and The Last Prophet were released within two weeks of one another. The Dark Age is a post-apocalyptic novel in which humanity struggles to rebuild civilization and break free from five-hundreds of darkness. The Last Prophet is a story set at the end of days, when a man named John March, is called to proclaim that the end of the world is at hand, and to warn mankind about the Beast.

How did you come to write this particular book?

Although it was the second of my three novels to be published, The Dark Age was written first. I've always wondered what we humanity would do without it's vast and increasingly complex technology. In The Dark Age, not only must humanity live without modern technology, they must live without the benefit of thousands of years of ancient technology as well, since it was also lost when civilization fell apart during The Great Collapse.
In regards to The Last Prophet, I have always wanted to write a book based on the book of Revelation. There is such rich imagery and fantastic characters that I felt it was worth writing another novel about. This time however, I wrote it from the perspective of the prophet, a weak and fallible man who, like the rest of us, is riddled with self-doubt.

Do you have a favourite character from the book? If so, who and why this particular one?

I have several characters I really like in each book. My favorite character in The Dark Age would probably be the protagonist, Ferrell Young, and the antagonist, Kraken. The story would not be quite what it is without either.
With The Last Prophet, I'd have to say that one of my favorite characters was the wife of John March, Lara. She was always supportive of her husband throughout his journey, and demonstrates just how strong she is when he dies.

Where can people buy your books?

The Dark Age and The Last Prophet are available from the publisher, Amazon, and most major bookstores.

What qualities does a writer need to be successful?

I think there are three qualities that a writer must possess to be successful; imagination, belief in oneself, and a thick skin. First, a novelist must have an imagination that create a world replete with fictitious places, people, and events. Second, a writer must be confident enough and believe in oneself enough to carry them through when naysayers, including those closest to them, try to dissuade them (often with good intentions), from pursuing their dream of a writing career. Lastly, a successful writer must be thick-skinned enough that when their work is slammed by critics (which it will be), they do not fold and abandon their dream.

What’s your working method?

I tend to start with a rough idea of a story. Then, as I write more the plot and the characters begin to develop. Then I start to develop more of a formal outline that helps build more structure for the remainder of the book.

What’s the single biggest mistake made by beginner writers?

I don't honestly know. From my own mistakes, I can say that I was way too naïve about the challenges around getting published. I was even more naïve about the amount of marketing that would be necessary to sell books. Like many others, I'm still waiting to see how successful my efforts will be.

To what extent are grammar and spelling important in writing?

I look like grammar and spelling as necessary evils. They have little to do with developing and telling an exciting story, but you cannot do so without them. While they do not make a book a bestseller, poor spelling and grammar certainly can sink one.

How much do you revise your MS before sending it off?

At first it was nowhere nearly as polished as it should have been. Now, I try to get it as polished as I can before sending it in. It's a lot easier to make changes before it enters the editing process.

As a writer of Christian fiction, to what extent do you think genre is useful in the publishing world?

      I think the genre is far too underappreciated. I believe that human beings seem to have an innate interest in the supernatural, but I believe that the market has been saturated with the Twilights and Harry Potters for the last five to ten years.
      Regardless, I believe that if I can write good, quality, entertaining Christian fiction, there is a huge market for it.

Many authors see marketing as a bind. What's your opinion on this, and how do you deal with it?

I can certainly understand and appreciate that many authors don’t like the marketing side and to be honest, I'm not sure we are the most qualified. Until we achieve some substantial recognition however, it is up to us or the publisher to market the author and the book.

What sort of displacement activities keep you from writing?

My day job. For the time being, I do most of my writing at night and on weekends.

What support, if any, do you receive from family and friends, writing group, or dedicated professionals?

My family and friends have been very important, particularly when I first launched my writing career. I continue to have significant support from both, which I appreciate very much.       

Is presentation of the MS as important as agents and publishers suggest?

Absolutely. As with grammar and spelling, it doesn’t make the book successful, it keep it from getting published.

How long does it take you to write a novel?

That largely depends on how much time I have available to put into it. Typically it takes from six months to a year.

Who or what inspires your writing?

God, Life, both…I don't really know for sure. Subject matter that I am either familiar with or have an interest in is important.

If there’s a single aspect of writing you find frustrating, what is it?

With me it's the dotting of the "i" and the crossing of the "t" that comes once the rough draft is finished that is the most frustrating, that and the marketing.

Is there a particular feature of writing that you really enjoy?

I really enjoy the pure creativity of the writing process. As an author, I get to create a world, populate it with people and places, what could be more fun then that?

Do you believe creative writing is a natural gift or an acquired skill?

Both. While people are sometimes born with an innate creativity, it takes time and practice to develop as an artist.

What are you writing now?

My current project is children's novel, a mixture of Chronicles of Narnia, Pilgrim's Progress, and science-fiction.

Do you have a website or blog where readers can visit?

Yes. I am listing them below.
         Author Jeff Horton's website-            www.hortonlibrary.com
         Goodreads-     http://www.goodreads.com/author/show/4478744.Jeff_W_Horton
         Facebook-       http://www.facebook.com/Author.Jeff.Horton

Given unlimited resources, where would you do your writing?

Sometimes outside by the pool, sometimes on a yacht, other times in a quiet study.

Where do you actually write?

  
In my living room, believe it or not. 

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