| Robert Heinlein, L. Sprague de Camp, and Isaac Asimov, Philadelphia Navy Yard, 1944. (Photo credit: Wikipedia) |
Gulf, by Robert A.
Heinlein, is a Sci-fi adventure story/thriller, set on a future Earth and Moon,
full of fascinating contradictions. The anachronisms - for example, the plot
depends on the physical transmission of microfilms - ought to render it
unreadable for a modern reader, but the quality of the writing and the
characterisation both take it into the realm of the 'classic'.
Written
in 1949, long before the computer was commonplace, although Turing had by that
time already shown such a machine was a real possibility, the exclusion of this
major influence on the world is a serious omission. I suspect, had Heinlein
been aware of the extraordinary changes to communication encouraged by computers
and their peripherals, he would have found a way to modify his story to include
this aspect of modern life.
There's
a good deal of philosophising in the book; much of this could conceivably be
considered an analogy for Hitler's attempts to breed a pure race of Tutons.
Here, however, we have the idea of a race of 'supermen' based entirely on
brainpower. That, perhaps, is the least attractive part of the book. There's a
singular lack of emotional content in both the characters and the philosophy many
of them espouse. I gained the impression, from the large portions of author
intrusion, that Heinlein was definitely on the side of the 'supermen'.
Whilst
many of the ideas expressed are attractive to anyone who has a rational element
to their personality, the lack of emotional content is a serious worry. Imagining
a world taken over by those with the ability to reason and rationalise their
way out of our most pressing problems, but lacking any emotional connection
either with each other or with their intended victims, makes for a barren world
devoid of the most important single quality displayed by humans: their capacity
to love.
The
story itself is fast moving, full of event and crammed with ideas. The central
character, Gilead, is an extraordinarily capable survivor in what is often an
almost incomprehensible world. His connection with and partnership of Baldwin
allows the story to take on a new dimension and it is following this
association that the philosophising really begins.
The
denouement was both surprising and, on reflection, inevitable. I find myself
recalling certain passages and considering the various messages and theories
postulated by the book. I suspect this is a story that will stay with me for
quite a while and one which will inform my own writing in certain ways.
So,
if you're susceptible, beware of reading this book. It might give you ideas!
It's an old story but, in spite of its deficiencies, one worth reading.
It
has been said that in Gulf, Heinlein tackles
the question, 'What is a superman?' and in answering it, makes previous answers
appear muddleheaded. I'd add to that observation that Heinlein's 'superman' is
the product of equal muddleheadedness. The total lack of a moral framework or
an emotional component, makes his superman more a totalitarian despot than a
true superhero, I think.
Nevertheless,
I'd happily recommend this as a read for sci-fi and general readers alike.











