Google+
This blog has moved. Please go over to this link to see my new website.
Showing posts with label Muhnilahm. Show all posts
Showing posts with label Muhnilahm. Show all posts

Thursday, 3 July 2014

Exploring Character and Place in A Seared Sky #11

Pampahn:


This is the 11th in a series of pieces on characters and places featured in Joinings: A Seared Sky. This background information, isn’t covered in the book, but should enhance the reading experience. For some of my people, there’ll be a character drawing, supplied by Alice Taylor, maybe a video interview, and accompanying script. I may do short pieces of fiction, deepening knowledge of certain minor characters as well.
For the places, I may use sections of the map, to indicate location, along with a description of the place, as I see it, and, where appropriate, links with characters. Perhaps I’ll indicate the way of life there with a short anecdote or story.
I won’t reveal any of the main story, either as already published or as written in the series, merely enhance readers’ enjoyment of the trilogy by providing more information. I hope this will give pleasure to those who’ve bought the book and, perhaps, persuade others to take that step.

Pronunciation hints:
Pampahn – pam-parn.
Muhnilahm – murn-ill-arm.
Aklon-Dji – ak-lon-djy (think of the Dj sound in the name of tennis player, Djokovic.
Phildrad – fill-drad.
Lasdilyss – lass-dill-iss.
Kaz-Ca-Porlesah – kazz-ka-por-laze-ar.
Names are pronounced phonetically. But this is my take on them; how I hear them in my head. You may pronounce them as you wish, of course; reading is, after all, active rather than passive.

Pampahn, a little isolated and a bit backward, is one of the Followers’ settlements on the island of Muhnilahm. It’s home to Phildrad, Lasdilyss and Kaz-Ca-Porlesah, amongst others in the trilogy. Lying toward the south of the island, it’s bordered by a shallow lake to the west, extensive marshland to the north and mountains to the south. Due east, some leagues distant, lies the Southern Ocean. The nearest settlement to the infamous Point, it’s home to a Village Priestess with a soft spot for the island’s most wanted criminal, the Renegade, Aklon-Dji. Kaz-Ca-Porlesah risks a great deal to befriend this handsome folk hero, but he’s even more at risk in this dangerous relationship.

Phildrad fishes from a coracle on the lake and has developed some pretty unusual recipes to make the food as tasty as he can. In fact, he has a reputation as something of a wonder as far as food preparation is concerned, though he is otherwise considered a rather dull chap. His wife, Lasdilyss, is a pretty woman who devotes far too much of her time to Phildrad’s ungrateful bedridden parents. She is also a sometime lover of Aklon-Dji and a member of his Few.

The houses, in common with most on the island, are built with wooden frames filled in with mud baked and hardened by the sun. They’re painted with oil-based pigments of various colours (mostly natural browns, ochres, and dull yellows), which help keep the rain off. Thatched with reed or with long leaves from the many trees, they generally consist of sleeping areas for the adult couple, separate quarters for any children, and a living area that serves as kitchen, dining and relaxing area. This is a tropical environment, so the windows are open but often shaded by woven blinds. Internal walls are made of woven pliant branches, so light and movement tends to seep through from one room to another. 
External doors tend to be made of rough wooden planks hinged and fastened with metal parts. Internal doors are wicker, like the internal walls. Floors are bare earth, trodden flat and hard by occupation.

Furniture is basic, wooden framed and undecorated in the main. Beds consist of fabric (usually linen) bags filled with down, dry moss, straw or any combination of these, often confined in a wooden frame on the floor. A blanket or covering is rarely actually needed but these are usually made from woven cotton of the spun yarn made from the fleece of a sheep-like wild goat that roams the island.


Household utensils include such items as canvas buckets, cups made from horn and earthenware crockery made by specialist potters. Eating implements are metal, again forged by specialist smiths. Tallow candles and vegetable oil lamps provide illumination after dark.

Thursday, 26 June 2014

Exploring Character and Place in A Seared Sky #10

The tabard.

This is the 10th in a series of pieces on characters and places featured in Joinings: A Seared Sky. This background information, isn’t covered in the book, but should enhance the reading experience. For some of my people, there’ll be a character drawing, supplied by Alice Taylor, maybe a video interview, and accompanying script. I may do short pieces of fiction, deepening knowledge of certain minor characters as well.
For the places, I may use sections of the map, to indicate location, along with a description of the place, as I see it, and, where appropriate, links with characters. Perhaps I’ll indicate the way of life there with a short anecdote or story.
This week, I’m diverting from the usual post about location or character and letting you see how some of the people dress.
I won’t reveal any of the main story, either as already published or as written in the series, merely enhance readers’ enjoyment of the trilogy by providing more information. I hope this will give pleasure to those who’ve bought the book and, perhaps, persuade others to take that step.

Pronunciation hints:
Names are pronounced phonetically. But this is my take on them; how I hear them in my head. You may pronounce them as you wish, of course; reading is, after all, active rather than passive.

How Followers dress.

The population of Muhnilahm, known collectively as Followers, all dress in a standard item: the tabard. This is fashioned from a single piece of fabric, which can be anything from jute sacking to the sheerest silk, with linen being the choice of most. That choice depends more on wealth and status than on piety. It’s the only garment worn by men and women on this tropical island and is intended to be easily removed for prayer: naked is sacred here.
The tabard accommodates the head through a central hole, which can be round, diamond shaped (to give a V opening front and back) or square. The degree of upper body exposure is up to the wearer, but excessive display is frowned upon. The garment is fastened by tags through loops at each side and these can number from two to five, again depending on the wearer’s attitudes to modesty. Tags can be bone, wood, worked stone or metal.
A belt or cord cinches the tabard at the waist. This fastening can be anything from plain cord to the finest and softest leather or even woven gold thread. Many married women wear a cord woven from the cut locks of their own hair entwined with that of their buck taken at their first public joining ceremony.
According to taste, status and wealth, the item can be completely plain, dyed with a pattern, or adorned with embroidered designs of any sort. And the hem of the garment generally falls from a length that’s barely decent to one that reaches the knee.

Accompanying this piece are a couple of sketches to show how the garment looks as an item of clothing and as worn. Please bear in mind I’m no artist, so these are pretty rough illustrations, but I hope they give an indication of the design of the tabard.