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Showing posts with label Scotland. Show all posts
Showing posts with label Scotland. Show all posts

Tuesday, 6 December 2011

Stuart's Daily Word Spot: Early or low teens?

Title page of the first edition of the Encyclo...
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Early or low teens?

Time and again, you hear or read an item featuring numbers, often written by professional writers, where the presentation of numbers is illogical. Does it matter? Well, it does to me. If language is to retain any meaning, we surely need to use it in a way which makes sense, don't we? Unless, of course, you subscribe to the view that all art is subjective and the artist must be allowed the freedom to convey whatever mood, attitude or impression he or she intended. Even in this, however, inaccurate language will cause a failure for such ambition, since the very inaccuracy will necessarily distort the responses of readers.

e.g. 'An articulation of elephant orifices undergoes an extraordinary undulation in determining the acuity of the random prognostications of potential irradiation therapies.'
This sentence employs the correct structural method and is grammatically sound. But it means absolutely nothing, because the words used aren't the right ones to convey meaning.

Okay, so what's all this got to do with the heading? Let me illustrate:

A weather report issues you with daily temperatures and states that these will be in the early teens.
A news report details the antics of a politician and his claims for expenses, telling you that these were in the late thousands.
A historian tells you that he has discovered bones that date back to the low centuries of the iron age.
A financier reports that the interest on an attractive bond issue will mature in the high twenties of the century.

All the foregoing are samples of items I've either heard or read. I'm sure you must've come across this sort of careless use of numbers on many occasions. The rules are simple enough to employ if you want to avoid joining the ranks of the ignorant or careless.

If the item has to do with degree or intensity; e.g. the heat in temperature, the amount spent in money, etc., then you need to refer to the 'high' or 'low' teens, twenties, hundreds, or whatever.

If the item relates to the passing of time; e.g. the age of something or someone, the number of seconds, minutes, hours, days, years taken, etc., then you need to use 'early' or 'late' teens, forties, thousands, or whatever.

So, does it matter that these writers/presenters mix up context in this way? Well, it indicates that they're unaware of the real meanings of the terms they're using, and doesn't that make you wonder if they know anything about what they're telling you? Confidence in written/spoken material is surely something we should all aim for, if what we have to report is going to carry the necessary weight for credibility.

6th December 1768 - 1st edition of "Encyclopedia Britannica" published in Scotland.

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Saturday, 29 January 2011

Stuart's Word Spot: Haar

Grace Horsely Darling famed for her part in th...Image via Wikipedia
Haar: noun - (Scottish & Northern English). mist or fog; especially a cold fog off the sea

'Grace Darling begged her father not to brave the treacherous seas when a haar obscured the stricken vessel, fearing he would be unable to find his way back to land after attempting the rescue.'

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Sunday, 17 October 2010

Review of The Doll Makers by Penny Grubb

I met the wonderfully idiosyncratic heroine, Annie Raymond, in Penny’s first detective novel, Like False Money, and enjoyed her doubts, courage and intelligence there. In The Doll Makers, Annie travels from her new post in London to visit her father in Scotland and Penny Grubb highlights the contrasts between the noise and claustrophobia of the capital and the space and relative peace of a small Scottish loch-side town.
The story holds the reader’s interest from the start and keeps a tight grip on it to the last word. Penny has a way of getting inside the heads and hearts of her characters to bring them to life. Even her villains carry characteristics that make the reader care what happens. But it is Annie who we really empathise with, in spite of her faults, irritabilities, occasional snap judgements and chaotic domestic lifestyle, or maybe because of these. Her quick wits, intelligence, bravery and determination drive the story, with its multiple threads, racing us from chapter to chapter, anxious to know what happens next and eager to identify the real villains amongst the panoply of potential candidates.
There are surprises, shocks and moments of sudden illumination in the twists and turns of the plot so that it becomes difficult to put the book down. I was forced by circumstances to read the book in two sessions but would have read from beginning to end without interruption had it been possible. Such is the developing pace of the story that the reader becomes emotionally engaged in the ever more complex puzzles that lead Annie into great peril. The reader is given clues denied the detective and this makes for tension as we see her stepping toward dangers we know of but to which she is blind. Clues are scattered throughout the narrative for the reader to solve the puzzles, but the solution is not easy and I was surprised by the denouement, though it was, in the end, the only possible outcome.
Penny handles scenes of danger particularly well, injecting feelings of fear, anxiety and doubt into the story so that the reader is drawn into the created world. Her meticulous research takes us inside real buildings with Annie, along real streets and into real woodland with her, to perilous drops where we hold our breath and into peaceful glades, where we rest for a while as she ruminates.
The Doll Makers is not simply a damned good read, it is an experience shared with the indomitable Annie as she moves through curiosity, incomprehension, disappointment, betrayal and growing enlightenment to a conclusion that is scary, intense and inevitable. If you enjoy your crime spiced with a mixture of gritty realism, humour, human failings and intelligence, this is definitely a book for you. I don’t generally read crime fiction, but I thoroughly enjoyed this book and heartily recommend it.
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