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Showing posts with label free books. Show all posts
Showing posts with label free books. Show all posts

Friday, 31 January 2014

The Writer’s Priorities. Part 2

Portrait of Samuel Johnson commissioned for He...
Portrait of Samuel Johnson commissioned for Henry Thrale's Streatham Park gallery (Photo credit: Wikipedia)
Timing, they say, is all. An odd coincidence occurred today. I was due to write this post, as a follow-up to last week’s effort. But, I’d also determined I would enter at least 4 writing contest during the month, and I’d only managed 2 entries by yesterday. In preparing for the other two, I went online and discovered at the top of my emails an alert to the Writers’ Village blog I follow for its excellent advice and content. The subject matter was ‘A Simple Idea That Can Sell a MillionBooks’. Bearing in mind what I said last week about money as a motivator, I thought I should at least read the piece. If you click on the title, it’ll take you to it.

It was one of those posts, of which there are many these days, promoting the idea that money can be made from writing by doing a great deal of it and getting it published, more or less regardless of the quality. It’s a persuasive argument for a lot of would-be writers and there’s evidence that this approach does, indeed, earn its better practitioners money. I had to make a comment, of course.

So; back to the theme of this post. Priorities. Do you know what yours are? Are you driven by money? James Boswell, in his Life of Samuel Johnson, wrote, ‘No man but a blockhead ever wrote, except for money’. However, Samuel Johnson himself wrote, ‘The only end of writing is to enable the readers better to enjoy life, or better to endure it’.

My own primary aim is to increase my number of readers. It’s been suggested that the easiest way to do so is to charge nothing for the books. I do have a short story offered free; But, Baby, It’s Cold Outside is a bit of seasonal cheer to make readers smile. But it’s been proved, many times, that in general terms, people place little value on something that has no worth placed on it by the producer. So, I compromise and price my books at what seems a fair cost for the piece on offer. Before I place a piece to market, I spend as much time as is needed to make it the very best I can. My priority has been quality at the expense of quantity.

Perhaps I’ve been too concerned with this aspect, since it’s clear that many readers are not really concerned with the quality of the writing. I’m not sure, to be honest. But, in the interests of discovering whether my writing can stand the rigours of quantity and remain both accessible and readable, I’ve decided to devote this year to more in the way of quantity.

So far, I have 7 books available, published over a period of 5 years. This year I aim to produce a further 4 titles. Nothing like the quantity that many of the genre/formula-fitting writers produce, of course. But a challenge, if quality is to be maintained.

So, my priority for this year is to write, and publish, 4 new titles. This means that certain other activities will necessarily have to be curtailed. Much less time with Twitter, Facebook and the other social networks to which I contribute. But not a complete cessation, of course. I will still need to let people know about my writing, after all.

Last week, when I wrote the first part of this post, I had little idea where I would end up. I’ve now set my aims. Do you have targets, aims, priorities in your writing life? If so, please share them with us here.


Oh, and I will try to maintain a post each week here on the blog, of course.
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Saturday, 8 December 2012

Contest: Win a Signed Copy of Romantic Thriller.


On Thursday, I promised you a contest, with some graphics software as a prize. However, things have not panned out as expected and I’m not able to fulfil this promise now, largely due to events beyond my control.

My apologies for this.

However, I promised a contest. And, whilst I can no longer give the prize originally intended, I can offer a paperback copy of my novel. So, the contest continues, but with a signed copy of Breaking Faith as the prize.

To win a free copy of this novel that has earned many very positive reviews (see the entries under the Published Work tab), here’s what you have to do:

Simple; just answer the following question:

Q: In Breaking Faith, what’s the opening line of Chapter 11?

If you’ve got the book in either paperback or eBook form, you’re laughing. But, if you haven’t, not to worry. The chapter has been posted on the blog. You just have to search for it through the Archive, or by using the ‘Search’ box. Make sure you let me have an email address where I can reach you.

Please do not use the comment box for your answer. Send your answer to me by email to this address and put ‘Breaking Faith Contest’ in the subject line.

You have a week to reply. At the end, i.e. 11:00 GMT on 15 December, I’ll get my daughter to make a random selection from all correct answers, which I’ll print off and place into a box for the draw. I’ll announce the winner the same day, here on the blog.

Good luck. 


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Wednesday, 31 October 2012

Free Until the Witching Hour


Heir to Death’s Folly, a new book available exclusively as a Kindle ebook, is free until midnight tonight (that’s PST. For UK readers, you have until 07:00 Thursday), so regular visitors have a chance to obtain it without cost. If you take advantage of the offer, I’d appreciate a review, but you’re under no obligation, of course.

No Kindle, but want to read it? Download free software from Amazon to read Kindle books on your PC, laptop, iPad, iPhone, Android phone, tablet or Mac; use this link from the UK http://amzn.to/Uaqusr  and, for USA readers, this link http://amzn.to/UaqUiu , where you can also add it to your browser, Windows Phone 7, Blackberry, and Windows 8 devices.

The story? I won’t give anything away, but a young woman is in peril…
This is the short blurb:
At Kasim's insistence, Julie takes him to visit her Aunt Agatha. Desperate for money, he intends to hasten Agatha's death so Julie will inherit her fortune sooner. But their search for the legendary family treasure leads them into dangers they could never have envisaged. Will Julie escape the fate that awaits her in the ancient tower rumoured to house the hoard?

 Woooo! Scary, eh?  Enjoy your goosebumps!

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Tuesday, 30 October 2012

Halloween Ebook, Free for 2 Days.


Heir to Death’s Folly, available exclusively as a Kindle ebook at present, is published under the KDP flag. And I’m giving it away free for two days, so that my regular readers can have it at no cost, to celebrate Halloween. Should you take advantage of this offer, I’d appreciate a review, but you’re under no obligation, of course. I just want you to enjoy the story and feel the terror.

For those who don’t own a Kindle, but want to read it in the offer period, or later (when, by the way, it will cost you $2.99 or £1.86), you can download free software from Amazon so you can read Kindle books on your PC, laptop, iPad, iPhone, Android phone, tablet or Mac, just follow this link if you’re in the UK http://amzn.to/Uaqusr and click on the appropriate link on the site. For USA readers, follow this link http://amzn.to/UaqUiu  and you can add other devices to the list as follows: your browser, Windows Phone 7, Blackberry, and Windows 8 devices.

What’s the story about? Well, I won’t give too much away, but a young woman is being taken into danger…
The short blurb is as follows:
At Kasim's insistence, Julie takes him to visit her Aunt Agatha. Desperate for money, he intends to hasten Agatha's death so Julie will inherit her fortune sooner. But their search for the legendary family treasure leads them into dangers they could never have envisaged. Will Julie escape the fate that awaits her in the ancient tower rumoured to house the hoard?

And the period of the free offer?
From now, PST (Monday), to midnight PST on 31 October (07:00 Tuesday to 07:00 Thursday, here in UK). So, get your copy sooner rather than later, or you may miss out. Of course, if you wait, I earn a bit of cash for my work and that’s great. But, either way, I’m happy as long as I have readers. Enjoy.
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Wednesday, 6 June 2012

Erotic Anthology Published


After many delays and obstructions, I've finally managed to get my collection of erotic short stories published. I'm offering all readers here the chance to obtain a FREE copy (normal price is $2.99). But you'll have to be quick off the mark; the offer ends 10 June. And, I'd appreciate a review, please.

How do you get one?

Follow the blog, or follow me on Twitter, or 'Like' my Facebook page. Links are here on the blog. Then use the 'Contact me here' link just above to let me know your email address and I'll send you the code and link you need to obtain a free copy via Smashwords. The ebook can be downloaded in a format suitable for any ereader. If you don't have an ereader, you can either read it in PDF form (there's a link to a free PDF download at right), or on Kindle for PC (or Mac), both of which are free on the Amazon site for your country of residence.  USA hereUK here.

So, what does the book contain?

8 stories:

Hunky heroes and hot women inhabit the beds, cars, beaches and other scenes in this anthology of erotic stories. You'll find exotic locations and beautiful people coming together to excite, arouse and satisfy you as you join them in their journeys from meeting to merging. The attraction is heterosexual and the outcomes mutually orgasmic, so, whether you're a male or female reader, you'll find something to satisfy your dreams here. Lurking amongst the steamy stories, you'll discover a BDSM piece and an adult fairy story that should work well as a bedtime story.
Come in, enjoy alone or with the partner or partners of your choice. All welcome. 




Wordle: Sensuous Touches, an erotic anthology

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Sunday, 11 March 2012

Smashwords Read An E-Book Week. Last Day

My ebooks are available free or, in the case of Breaking Faith, at 50% off until midnight tonight (PCT), as part of a Smashwords promotion. 


Smashwords is the publisher I use for my ebooks. 


If you'd like to download a copy of one of the ebooks as above,  visit  https://www.smashwords.com/profile/view/stuartaken where you'll be able to get four of them free and Breaking Faith for $1.50.
  
All I ask is that, if you take advantage of this offer, you do a short review and place it on Smashwords, Amazon and /or Goodreads. Indie authors depend on reviews for readers, as they don't have the powerful marketing machinery used by major publishers.


So, what have you got to lose? This is an ideal opportunity to enjoy some fiction at either no cost or less than the price of a cup of coffee.
Enjoy.

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Thursday, 1 March 2012

An Interview with Leighton from Breaking Faith.


I had a piece from Faith a short while ago. Thought I should restore balance by letting Leigh have his say. 

Leigh: Seems a bit odd, you interviewing me, when you invented me, Stuart.

SA: I know, but I'd like to give my readers a bit more insight.

Leigh: Readers matter, then, do they?

SA: They're the writer's lifeblood. Without them, the whole of the activity would be pretty meaningless.

Leigh: Bit insulting on us characters, isn't it? That attitude, I mean. I do have feelings, you know. In fact, you of all people, should know I have deep emotions.

SA: Fair point, Leigh. But you must also realise that you're a figment of my imagination, whilst the readers are real people. They have to have precedence in the mind and world of the writer.

Leigh: Fair enough. But it still makes me feel a bit like a spare part here. Anyroad, what did you want to know?

SA: Can we first get over the fact that I invented you and therefore know all there is to know about you? I'm not asking these questions for myself but for my readers. Okay?

Leigh: You're the boss.

SA: Perhaps you'd tell us which book you appear in?

Leigh: I'm the male protagonist, you might say 'hero' in that romantic thriller you wrote; Breaking Faith. By the way, I have to thank you for those great women you gave me to interact with. Had a great time with some of them; well, most of them, actually. And…

SA: Sorry to interrupt. It's great you want to talk this way, but I've a couple more questions to ask first, if that's okay?

Leigh: Right fire away. Though this was supposed to my gig…

SA: So it is. But if you could offer me some advice, what would you say to me?

Leigh: Honest, no holds barred?

SA: Express yourself.

Leigh: Well, there were times early on I thought you made me look pretty shallow. Of course, you let me develop as the story developed, but I felt I was perceived as a bit superficial to begin with.

SA: That's because you were being described through the eyes of Faith, and she had a very limited and specific world view.

Leigh: Fair comment.

SA: So, how do you feel about the way readers perceive you at the end of the story?

Leigh: Ah, well, by that time they know a lot more about me. I think I come across as a well-rounded bloke. I mean my initial obsessions, yes, I admit it's obsession, with naked women and sex, is modified by the way I grow to feel about Faith (this won't spoil things for readers who haven't yet read the book, will it?) and people get to know what really drives me, what really matters to me. I know I can come across to some as a bit too keen on getting their knickers off, but I really do love women. I mean, by that, that I love them in all their forms, all their ways. Look at the way a woman's put together. What better design for a living beauty can you imagine? Oh, I know we're all driven by our biological imperative, our need to pass on our genes and ensure they survive, but there's a lot more to it than that.

That's the trouble with the scientists; they reduce everything to rational causes, when we all know that feeling is a vital part of our make-up as well. And I, for one, don't subscribe to the school of thought that says our emotions are nothing more than sublimation of that damned biological imperative. Reducing us to chemical reactions is an insult to the race, don't you think?

As for those bloody godbotherers; well, they make my blood boil. Look, the early human race had no idea about what caused most things to happen. They lived in a world populated by wild and hungry predators, in a world where the climate and the environment were anything but friendly to them. They suffered earthquakes and forest fires, floods and droughts. No wonder they sought some reason for their plight. No wonder they came up with various different deities to explain the inexplicable. In those days, before science and rational thought developed, there was no other way they could make sense of their world.

But to continue these bloody myths into the modern world, when we know so much more about how the world and life work, seems to me to be nothing short of perverse. And, as soon as rational thought became widespread it was only a matter of time before some clever sod would pervert those beliefs in whatever gods were native at the time into methods of controlling the rest of the population. That's what religion is, after all: a control tool for despots and bullies. It's got about as much to do with spiritual wellbeing as a thistle up your arse.

Mind you, that doesn't mean I'm necessarily on the side of the scientists. Seems to me that a lot of what they have to say is open to debate as well. I know the best of them are open-minded and willing to be persuaded. But there's a good few who stick as doggedly to their theories and hypotheses as those bloody godbotherers do to their dogmas. Like to see a bit more doubt, a bit more humility, a bit more of an acceptance that we don't know the answer to everything and probably never will. Bloody good thing, too, if you ask me. I mean, can you imagine the arrogance of a human race that held all the answers? We'd be fucking impossible. It's the worst thing that could happen to us as a race, don't you think?

SA: Well, thank you for that, Leigh. You have some pretty wild ideas, don't you?

Leigh: Wild? I don't think so. But I guess I do get a bit passionate about things that matter to me. Why shouldn't I? The leaders in society, of whatever leaning or calling, have plenty of opportunities to have their say. It's not often the rest of us get a look-in, is it?

SA: If I could just return to the book for a moment? I'd be interested to know how you came to employ that sod, Mervyn?

Leigh: Ah. Merv the perv. In many ways I was as guilty of attempted conversion with him as Faith was with me in the initial days and weeks. I took him on for practical reasons: my workload was such that I couldn't afford to spend as much time in the darkroom as I needed to turn out the work I was producing. Merv had a natural skill with the chemical and physical processes. He'd absolutely no imagination, of course, but he was able to follow my lead and soon learned what I did and didn't need from him. Let's be honest, as a man he was a bastard, but as a printer…well, I'd never have found a better one. Once I'd got him in Longhouse, I tried to work on him and change his attitude to women, people in general, I suppose. Waste of time, of course, but that was my hope and intention.

SA: And your attitude to glamour photography; how did Faith influence that?

Leigh: Initially, I thought she was just a prude with some distorted view of nudity gleaned from her upbringing by that shithouse, Heacham. But when I really thought about what she had to say, she actually made sense. As you know, I stopped doing the glamour work completely and only did full nudes after that. Like Faith said, real art requires absolute honesty. I've her to thank for showing me that truth.

SA: Well, Leigh, thank you for your time and your thoughts. It's been most interesting.

Leigh; You're welcome. I hope the readers have got something out of it. Maybe some of them will understand where I'm coming from a bit better, eh?

SA: Perhaps. Let's hope they comment and then see what they say, shall we?


Why do people believe you when you say there are over four billion stars, but check when you tell them the paint is wet?

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Thursday, 12 January 2012

Short Term Offer

Just to let you know, I recently - i.e. today, answered a query on LinkedIn relating to how an ebook could be offered free. To illustrate how it's done, I produced a coupon for my anthology Ten Tales for Tomorrow, which allows the user to download the book free from Smashwords in any ebook format. Thought I should share that with the readers of my blog. So, if you want to take advantage just use the code - SC28Q - when you go to this link
 http://www.smashwords.com/profile/view/stuartaken
and select the book. Just enter the code and you'll get the book free. But this is only available until 1 February. If you wait any later, you'll have to make me much richer by paying the regular price of $0.99 or £0.65. You have been warned!
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Sunday, 1 January 2012

A Tale for the New Year: Read it Free.


'I'm seeing in the New Year, with my chosen lover, in front of the fire. Wonderful. Until, that is, an unidentified rural noise makes the townie nervous and something must be done to restore the magic.'

If you prefer to read on an eReader, you can download this free for any platform at http://www.smashwords.com/profile/view/stuartaken

But, Baby, It's Cold Outside.

A Seasonal Short Story

Stuart Aken

For all that it's black as the proverbial out there, I'm required to venture forth if I'm to retain credibility in the current lover's eyes. First, there's the unexplained and ill-defined noise, which I ignore. Then, coincidentally, the light goes out, provoking a performance worthy of the heroine in those supposedly scary black and white B movies from the forties.
The failure of the light turns out to be nothing sinister. 'Just a blown bulb.'
'Replace it, then.'
'Call me an old romantic, but wouldn't firelight serve us better?'
The response is unprintable and indicates an unhealthy reliance on artificial light. So, once I've restored adequate illumination, I'm ordered outside to see what made the noise.
'Me?'
'It's your house.'
'As the woman, shouldn't I stay in the warmth and safety of my home whilst you, Macho Man, go fight the marauders?'
'Along with the rest of your gender, you claim equality. You have to deal with the downside as well as the up.'
'So far, I've experienced little up, except the obvious, and I'm pretty sure that's been as much benefit to you as it has to me.'
He raises his eyebrows but not my hopes and I know I'm onto a loser; it doesn't help that my statement wasn't the truth, either. I wonder, in passing, why him? And then recall his superb taste in clothes and cars, his delicious and sensual touch, and the generous cut of his wallet, which has so far afforded me access to three first nights, a private viewing and the best table at Egon's. I can stand a little misplaced equal opportunity for the luxury and privilege that are his accessories. Wimpishness isn't the cause of his reluctance; he sincerely believes equality of the sexes means I should do whatever he'd be prepared to do on my behalf. Daft, I know; but he is a man, after all.
Being rural, I ignore strange noises in the night, examining their cause in full light of day, if at all. He's a townie who puts up with the shouts of drunks, the screams of distressed women, the whistling of fools and the constant clatter of traffic past his trendy pied à terre but is made suspicious by the noise of something falling over outside.
'It's just that old gate I stacked against the side of the house. The wind's blown it over.'
'Didn't sound like a gate falling over to me.'
'It's pitch bloody black out there. How am I supposed to see anything?'
'Use a torch.'
'Batteries are flat.'
'Well, we'll open the curtains and turn on all the lights, assuming they work.'
'They do. Mostly.'
Raised eyebrows indicate his lack of faith but he accepts. 'Good.'
'And your monster of the night is just going to hang about out there, awaiting discovery, having received the signal of our intent?'
'Our?'
'We're conspiring jointly in the process, even if I'm the active member and you're merely the source of ideas.'
'Mmm.'
I rise, turn on the spot. 'Look at me.'
'Yes, very lovely.'
'You really expect me to venture forth into the wild night with…?'
'Put something on and stop making excuses.'
I don seductive red satin recently abandoned, rather than the woollen protection I know is appropriate. It'll be cold out there. New Year always is. But I won't be gone long and I intend to continue where we left off after the interruption of the unidentified noise. I suggest he turns on the downstairs lights, front and back, whilst I plunge into the frozen void.
'You're not going out there like that on your own, are you?'
'Are you coming with me?'
'Are you mad?'
I try a simple facial message but it doesn't get through. Insufficient intimate togetherness yet for such subtlety to connect, I suppose. 'Exactly how am I supposed to go outside without you, yet not be alone?'
A pause for consideration. 'Be quick, then. I'll worry about you.'
'Not enough to accept my plausible explanation.'
He avoids the shrug that his body and my expectations demand and makes do with a non-committal grunt.
'Not enough to be the gentleman?'
'Equality of opportunity. This is yours.'
'But I don't crave such opportunity. In any case, I'm not worried by the noise.'
Another grunt; distinctly negative and indicative that this is the end of the discussion, as far as he's concerned. That much of his subtlety I have learned.
Outside, it seems even darker than the proverbial and I wait for light to issue through the curtains he's supposed to be opening. I wait. And slowly freeze. The darkness remains; unilluminated, unmoving and unmoved by my presence. I understand I am irrelevant to the void and begin to wonder if I represent a similar rank of importance to him.
At last, a faint glow signals the start of his simple task, but at the front of the house. I left by the back door and he saw me. Is this contrary action merely pique at my rational response to his irrational fear? Or is it simple idiocy? Hardly the latter. I don't get involved physically or emotionally with imbeciles. Not deliberately, anyway. But I wonder why I've become so attached to a man who's beginning to seem remarkably like a prat. Except, he has his good points. The fact that he's unjustly wonderful at that most subtle of interpersonal activities adds to the attraction of his wealth, devastating good looks and multiple connections. I ponder, for a fraction of a second, whether I might be a tad guilty of superficiality here but I expunge that unworthy thought and recall the extraordinary evenings, nights, afternoons and mornings I've experienced since we met.
The light at the back escapes at last through the raised kitchen blind and the drawn dining room curtains. I examine the area of garden I can see and note that the soft cold stuff assaulting me is snow, augmenting the frost already formed. Nothing moves but flakes of lightness and the tips of visible vegetation, shaking in the gale. It occurs I've denied any idea of what I'm supposed to be seeking and a question might afford me re-entry before I freeze further. I open the back door and call into warmth I'm tempted to re-enter.
'What sort of noise?'
He is by the fire; I can tell by the distance his voice has to travel. 'I told you.'
I have no recollection of either being told or, if I have been told, of the message. 'No, sorry, that doesn't help.'
'Oh! You're useless. There's something out there. Just see what it is.'
'Well, there's a large area of garden, mostly immobile and recumbent under a falling blanket of snow, except where it's sufficiently fragile to be disturbed by the howling gale, of course. There's a fence, beyond which lie several thousand acres of fields, forests and hills, dissected by a river, currently out of my field of vision ...'
As I list the inventory, he emerges into the kitchen.
'Idiot! I mean something moving, something that shouldn't be there!'
'Ah. An alien? Ghost? Creature of the night, specified or un? Perhaps a monster from nightmare? A serial killer out for a midnight stroll? A lynch mob intent on suspending a victim, if not its credibility?'
'God, you're obtuse. And I'm freezing here with that door open in my robe...'
'I suggest you shut the door in your robe and give me a…'
'Look, it was a sharp slithering sort of soft thudding scraping noise.' And he shuts the door. Not the one in his towelling robe, but the more substantial wooden portal to the house, before I can ask from what direction this comprehensive oxymoron of a sound emerged.
Disconsolate at being left out in the cold, wearing a garment designed to lure the eyes of men to my assets rather than protect them from frost, and unsocked wellies that barely insulate my feet from frozen ground, I begin a rapid exploration. Alcohol has lost supremacy by now and the threat of frostbite dictates I make a simple circuit to rule out any obvious cause before I return, bold cold and brave, to conquer his residual concerns with passion, before the night freezes my ardour: I can rest assured that his will not diminish in the waiting.
The corner of the house allows the gale to swirl increasing flakes into a small tornado that lifts my scandalous hem and spatters snow against the skin beneath to melt and slowly slide in wetness down my legs. But there's nothing in the intervening darkness, between the dim light at the back and the dimmer light at the front, to suggest a monster might be lurking at that side of the house. I pass, unmolested, beside the solid brick barrier to the front garden; neat, hedged and deserted.
Beyond the hawthorn and beech runs the narrow lane that leads eventually to the hamlet where my nearest neighbours celebrate the new arrival. And I recall we haven't made the usual ritual this time: I have no coal or logs, no money, salt or bread to enter with and bring the luck we all desire. Though, on being questioned, I'll deny any interest in or subjection to such craven superstition as 'first-footing'. In any case, he's supposed to perform that particular ritual, as the man.
The front garden is also devoid of alien beasts, hobgoblins and mass murderers. I lightly skip along the beds of resting flowers, past the blank front door and across the white blanket that is now the drive. His red Ferrari, encrusted with a soft layer of white icing, like a little boy's birthday cake, is exhibited at his insistence for the hungry eyes of the envious before the garage door, behind which skulks my wheeled utilitarian box. Fooled by softness, I forget the constant puddle and slip on the ice it has now become. The robe helpfully lifts so that my naked buttocks slide along the frozen surface until the stone kerb brings me to a halt with only a spine-jarring jolt and superficial injury to my fast freezing passionate parts. I curse the night, rub the offended rump and other bits and struggle upright, glad no one saw my pratfall and exposure.
The last side of the house, also in darkness, reveals no sign of monsters but there is evidence of some disturbance in the drifting snow. Tracks of recent footfalls meander, and the broken gate, which had been leaning against the house, has fallen onto the path. I right it. But will he believe I was correct in my original supposition when I give him this solution to his mystery?
I turn the corner and tumble headlong over a dark huddled shadow that mumbles. I land against the dustbin, upside-down with my head buried in a small drift, and moon into the moonless night. An unknown hand molests my unprotected flesh and then hoists me back to my feet and suddenly I'm at the back door.
He is there, in gratitude no longer worried by the door in his robe, which he's removed to reward my bravery with his undiminished and evident passion. The robe, that is, not the door. Behind me looms the huddled shadow that caused me to befriend the dustbin.
He cries out in alarm. I turn, ready to attack and defend.
''Appy New Year, m' dear. Shorry 'bout the clision back there. Dropped me lump o' coal an' I was tryin' to fine it. Firsht footin' an' all that.'
It is the redoubtable Miss Fobiter; she of the three facial hirsute warts and fixed leering grin. I grin back, hopefully without the leer, and wrap my robe more tightly.
By the time I've turned, he's vanished into concealing darkness within and I'm left stumbling my thanks to my nearest neighbour and inviting her in for customary seasonal cheer. The picture of departing gratitude, flouncing as though no longer quite so pleased with my solution to his fears, suggests I'll see New Year's Day arrive without his close company.
'Thought you'd be on your own, like me, don't y'know?'
I wonder whose car she thinks she passed on my drive and then recall her reputation as a woman resistant to normal consumer pressures. She probably didn't even notice it, or worse, thinks it's mine.
My neighbour, whose first name she reserves as a mystery, insists on two full choruses of Auld Langsyne, which I'm powerless to resist. To my surprise, he returns to join in this ritual, his robe replaced. She greets him with a cursory assessment that suggests she finds him, because he's a man, wanting. But she accepts the second glass of cheer he politely offers. Two hours of pointless chatter pass as the fire slowly settles in the grate and he grows glassy eyed. At last, she decides it's time she visited other neighbours. I hold him close about the waist as she departs into the snow and we close the door on night.
With her departure, my role in his earlier exposure is recalled and expressed in word and deed, the repelling hand shoving me unceremoniously back into my armchair.
'If you think you're having your wicked way with me after letting that dirty old hag see me naked, you've another think coming.'
'I don't think she was interested in you; naked or otherwise.'
'You should've warned me. I don't like strange women seeing me undressed.'
I'm being unfair and mighty inaccurate when I suspect, aloud, he's anxious at being found wanting. He sulks at the unguarded, unfounded suggestion the alcohol encourages me to make, and I watch him climb the stairs.
He lingers at the turn on the landing taking all promise of passion with him. 'A real woman wouldn't take no for an answer.'
Unsure whether this is an invitation or simply another assault, a reminder of my imperfections, I return to the fire, unwilling to be seen as coercive and determined to play the part of the injured party to the bitter end. I place more logs onto the embers, refill my glass with the last of the Chivas Regal I bought him for Christmas, and stare into the flames, imaging what might've been and recalling New Years that started more auspiciously.
Lurking at the back of my mind is the suspicion that he'll forgive me, once he finds the bed a little wide and cold without my company. Just to encourage that idea and persuade him of my value, I sneak outside and bang the metal dustbin lid with the coal shovel. I'm back in front of the fire, waiting on the hearthrug, by the time he reaches the security and warmth of me and the blazing logs.
I invite him to open the door in my robe. He does so willingly but, as I surrender to his delicious demands, I hear the gate fall over again and await his protest. Oddly, he seems preoccupied and doesn't even mention the noise, this time. Aahhh.

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This story, whilst free to read here, is copyright the author, Stuart Aken, 2011. Please respect the author's work in producing this and avoid pirating, copying or sharing other than through this blog, to which I'm happy for you to link with all your friends.
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I hope this little piece of seasonal fun has amused you. Please consider it a gift in appreciation of your time and support.
If you'd like to read more of my work, please see the books in the right hand column. A click on each will take you to a place you can read more and/or buy.

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Sunday, 4 December 2011

Free Book for Xmas, Help Yourself, and Smile.

It's about time I rewarded my readers with a small gift, so I've published a short story in ebook form for all of you. But, Baby, It's Cold Outside is available through Smashwords for all ebook formats and platforms. All you need to do is click here.
For those of you who don't have an ereader, no problem. You can download a couple from here, just by clicking on the links:
For the Kindle on your PC, click here for UK and here for USA & rest of the world.
For the Adobe ereader, click here.

But, Baby It's Cold Outside is intended for an adult readership and I wouldn't recommend it for anyone under 15 years of age, though there is nothing either crude or violent in this story of an interrupted NewYear's Eve between lovers.


But, Baby It's Cold Outside
I'm seeing in the New Year, with my chosen lover, in front of the fire. Wonderful. Until, that is, an unidentified rural noise makes the townie nervous and something must be done to restore the magic.

Enjoy. And an early Happy New year to all. By all means, spread the word to your friends and family. I'd like to give the gift to as many people as possible. Spread the joy, I say.

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